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시각 요소에 의한 정중성 보존 연구 —영화 자막 번역 중심으로—

Politeness, Ellipsis, and Visual Codes in Film Subtitling

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참고문헌

키워드

주제분류통역번역학

초록

The film transfers the meanings and contents of the source text through the visual, audible, and written channels. These channels also have influence on the translation of subtitling respectively or together. In the analysis of subtitling until now, the meanings of politeness features which can be a good device in understanding the relation between two speakers, failed to relay the source contents by ellipsis or condensation, or transferred to change and lose them. Accordingly, this paper aims at observing the preservation of politeness meaning in subtitling though there is the shift like ellipsis, condensation in its process. The Face Threat Action(FTA), one of the politeness features is generally demanded to minimize its threat. It occurs the ellipsis or condensation in the shift process of subtitling. Such processes may cause the subtitling to change and lose the source meaning. However, the translation of the subtitling had usually been analyzed in context oriented aspect, and this perspective had not included the visual code information. And it rationalized that the translation of subtitling could have the redundant meanings between utterances and visual codes. These meanings cause the ellipsis and condensation in subtitling. Converting the English into Korean subtitling at films like Lake House(2006), Sweet November(2001), and Pride & Prejudice(2005), the politeness feature such as FTA remained at the target subtitling, and it was carried with weakened meaning more than the source text. Even though the meaning of the source more or less weakens, the meanings of politeness features in target subtitling remain similar to source text meanings by assistance of visual code contents. Therefore, it can be known that the politeness features in subtitling are carried fully with the support of visual codes and context situation regardless of ellipsis, condensation of subtitling.

Abstract

The film transfers the meanings and contents of the source text through the visual, audible, and written channels. These channels also have influence on the translation of subtitling respectively or together. In the analysis of subtitling until now, the meanings of politeness features which can be a good device in understanding the relation between two speakers, failed to relay the source contents by ellipsis or condensation, or transferred to change and lose them. Accordingly, this paper aims at observing the preservation of politeness meaning in subtitling though there is the shift like ellipsis, condensation in its process. The Face Threat Action(FTA), one of the politeness features is generally demanded to minimize its threat. It occurs the ellipsis or condensation in the shift process of subtitling. Such processes may cause the subtitling to change and lose the source meaning. However, the translation of the subtitling had usually been analyzed in context oriented aspect, and this perspective had not included the visual code information. And it rationalized that the translation of subtitling could have the redundant meanings between utterances and visual codes. These meanings cause the ellipsis and condensation in subtitling. Converting the English into Korean subtitling at films like Lake House(2006), Sweet November(2001), and Pride & Prejudice(2005), the politeness feature such as FTA remained at the target subtitling, and it was carried with weakened meaning more than the source text. Even though the meaning of the source more or less weakens, the meanings of politeness features in target subtitling remain similar to source text meanings by assistance of visual code contents. Therefore, it can be known that the politeness features in subtitling are carried fully with the support of visual codes and context situation regardless of ellipsis, condensation of subtitling.

참고문헌 (18)

  1. 강지혜, "애니메이션 영화의 ‘다시쓰기’: 자막 번역을 중심으로", 번역학 연구, 7(2) (2006), 동인
  2. 박윤철, "영상 번역에서의 축역 현상: 통합적 분석을 중심으로", 박사, pp.2008
  3. 이선희, "정중성 이론과 제 양상과 통합적 모형", 언어와 언어 교육, 17 (2002)
  4. Brown, P., "Politeness Some Universals in Language Usage" (1987), Cambridge UP
  5. Chaume, F., "“Film Studies and Translation Studies: Two Disciplines at Stake in Audiovisual Translation". Meta 49", ~ (2004)
  6. de Linde, Z., "The Semiotics of Subtitling" (1999), St. Jerome P.
  7. Goris, O., "“The question of French dubbing: towards a frame for systematic investigation”. Target 5", ~ (1993)
  8. Hatim, B., "Politeness in Screen Translating In: The translation Studies Reader" (1997), Routledge
  9. House, J., "Politeness and Translation In: The Pragmatics of Translation" (1998), Multilingual Matters Ltd.
  10. Kova?i?, I., "“Relevance as a Factor in Subtitling Reduction" In C. Dollerup. and A. Loddegaard(eds.). Teaching Translation and Interpreting 2. Insights, Aims, Visions. Amsterdam & Philadelphia: John Benjamins", ~ (1994)
  11. Kova?i?, "“Subtitling strategies: A flexible hierarchy of priorities”. Traduzione multimediale per il cinema la television e la scena", ~ (1996)
  12. Lakoff, R. T., "Talking Power" (1990), Basic Books
  13. Mason, I., "Speaker meaning and reader meaning: preserving coherence in screen translating In: The Cultural and Linguistic Barriers between Nations" (1989), Aberdeen UP
  14. Mason, I., "“Coherence in Subtitling: The Negotiation of Face”. In Chaume, F. and Agost, Rosa(eds.). La traduccion en los medios audio-visuales. Castello: Publication de la Universitat Jaume I", ~ (2001)
  15. Pettit, Z., "The audio-Visual Text: Subtitling and Dubbing Different Genres", Meta, 49 (2004)
  16. "번역: 『레이크 하우스』 원작: Lake House. 2006. WanerBrothers Com", ~ (2006)
  17. "번역: 『오만과 편견』 원작: Pride and Prejudice. 2005. UPI Com", ~ (2005)
  18. "번역: 『스위트 노벰버』 원작: Sweet November. 2001. WanerBrothers Com", ~ (2001)

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