한국어 음운구 음절의 음높이 패턴 연구
A study of the pitch patterns of the first two syllables in phonological phrases in Korean
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참고문헌
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초록
The study deals with the pitch patterns of the first two syllables in phonological phrases that appear in spontaneous speech in Korean. In this study, spontaneous speech data from 7 female Seoul speakers were analyzed. The results show that phonological phrases starting with both L(L-PP) and H(H-PP) tones have a positive pitch slope line. The difference in the slope value was not a valid index to distinguish between L-PP and H-PP. The most stable indicator was the pitch of the first two syllables, especially the first syllable. The pitch showed a clear difference between L-PP and H-PP. In most cases, the pitch of the first two syllables in L-PP was lower than that of H-PP. In general, if the first syllable is realized at a point lower than 50% of each speaker’s pitch range, it can be regarded as L-PP. Conversely, if the first syllable is realized at a point exceeding 50% of the speaker’s pitch range, it can be regarded as being realized as H-PP. These findings should be considered in further studies of the pitch patterns of phonological phrases.
Abstract
The study deals with the pitch patterns of the first two syllables in phonological phrases that appear in spontaneous speech in Korean. In this study, spontaneous speech data from 7 female Seoul speakers were analyzed. The results show that phonological phrases starting with both L(L-PP) and H(H-PP) tones have a positive pitch slope line. The difference in the slope value was not a valid index to distinguish between L-PP and H-PP. The most stable indicator was the pitch of the first two syllables, especially the first syllable. The pitch showed a clear difference between L-PP and H-PP. In most cases, the pitch of the first two syllables in L-PP was lower than that of H-PP. In general, if the first syllable is realized at a point lower than 50% of each speaker’s pitch range, it can be regarded as L-PP. Conversely, if the first syllable is realized at a point exceeding 50% of the speaker’s pitch range, it can be regarded as being realized as H-PP. These findings should be considered in further studies of the pitch patterns of phonological phrases.
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