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Vowel harmony in Korean ideophones: Multiple harmonic features and multi-way alternations

홍성훈
한국음운론학회 (The Phonology-Morphology Circle of Korea)|2011.08|음성음운형태론연구 (Studies in Phonetics, Phonology, and Morphology)|제17권 제2호|pp. 313-337|DOI 10.17959/sppm.2011.17.2.313

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참고문헌

키워드

vowel harmonymorphemic featureideophonesmultiple harmonic featuresfloating featuremulti-way alternationsSpan Theory
주제분류언어학

초록

This paper provides a comprehensive analysis of ideophonic vowel harmony occurring in Korean. After we examine the known, "regular" patterns of the harmony, I propose a complex of height features [+high, -low] as the harmonic features. I then provide an analysis of the harmony patterns couched within Optimality Theory, on the assumption that the harmonic features are morphemic and thus represented as floating features in inputs. This paper then goes on to discuss the actually attested harmony patterns by examining the list of ideophones compiled by the National Institute of the Korean Language (2000). It is shown that ideophones are not just subject to the regular two-way alternations, but also to three- and four-way alternations. A close examination reveals that these seemingly complicated multi-way alternations are not randomly determined, but are combinations of the already existing two-way alternations. Based on this observation, I provide a preliminary analysis of multi-way alternations by formally treating them as the results of mapping an output to another output form.

Abstract

This paper provides a comprehensive analysis of ideophonic vowel harmony occurring in Korean. After we examine the known, "regular" patterns of the harmony, I propose a complex of height features [+high, -low] as the harmonic features. I then provide an analysis of the harmony patterns couched within Optimality Theory, on the assumption that the harmonic features are morphemic and thus represented as floating features in inputs. This paper then goes on to discuss the actually attested harmony patterns by examining the list of ideophones compiled by the National Institute of the Korean Language (2000). It is shown that ideophones are not just subject to the regular two-way alternations, but also to three- and four-way alternations. A close examination reveals that these seemingly complicated multi-way alternations are not randomly determined, but are combinations of the already existing two-way alternations. Based on this observation, I provide a preliminary analysis of multi-way alternations by formally treating them as the results of mapping an output to another output form.

참고문헌 (46)

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관련 논문AI추천

(Non)-Adjacent Vowel Harmony in Korean: Pro-Serial OT Account이민경한국언어학회 · 언어2012 · 제37권 제4호Variation and Exceptions in the Vowel Harmony of Korean Suffixes홍성훈한국현대언어학회 · 언어연구2008 · 제24권 제2호Vowel harmony in hiatus contexts in Korean verbal morphology한은주한국음운론학회 · 음성음운형태론연구2009 · 제15권 제2호한국어 상징음의 모음조화 : 비단선 음운론적 분석이영석사단법인 한국언어학회 · 언어학1994 · 제16호The phonetics and phonology of vowel length variation in Korean reduplicated ideophones김형수한국음운론학회 · 음성음운형태론연구2008 · 제14권 제2호Gradient harmony in Korean ideophones: A corpus-based study성제현한국음운론학회 · 음성음운형태론연구2018 · 제24권 제1호

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