중국 85신조 작가에게 보여지는 동양적 조형성 비평 연구

Abstract

Contemporary Chinese art has been illuminated by the world art world since the Tiananmen incident in 1989, which was caused by the military's suppression of the democratic demands of the people. In the history of Chinese contemporary art, which has existed in the world art world since the early 1990s, 85 historical movements can be mentioned. The 85 New Wave is a major event in Chinese contemporary art history of the 20th century, and the young artists will be assembled through the China / Avantgarde Exhibition (1989) held at the Beijing National Museum of Art. In other words, the 85 New Wave and the 1989 China / Avant-garde exhibition were important historical turning points in the early 1990s when the contemporary Chinese art attracted attention in the international stage. The purpose of this study is to analyze oriental formative arts through the analysis of the works of major artists of the 85 New Wave that have made a great contribution to Chinese contemporary art history. As a research methodology, the 85 New Wave representative artists Xu Bing, Gu Wenda, Zhang Xiaogang, Wang Guangyi, Huang Yong-ping, Fang Lijun Which is the second generation of Chinese contemporary art, is the subject of the analysis of the works of Chinese modern art from the time of Beijing <China / Avantgarde> in 1989 to the early 2000s. In the 1970s and 1980s, those embodying the changing political and economic situation of their countries visualized oriental formality as a visualization strategy for the aesthetic use of Chinese characters, the beauty of margins, and the reduction. In other words, the artistic source of the 85 New Wave's major artists in the international arena is the message that reflects the historical and political experience of the Chinese artists who is enduring in the process of modernization of China, and the oriental formative art that effectively visualizes these themes and contents. And to act as a source to build up a unique field. This research is meaningful to find out the artistic source of Chinese artists who have grown up to represent contemporary Chinese contemporary art from the Oriental formality.