‘트왈 드 주이(Toile de Jouy)’ 문양디자인에 나타난 시대성 – 1770년도부터 1810년대까지 제작된 문양 중심으로

Abstract

Toile de Jouy' refers to the product produced by a cotton textile mill erected in Jouy-en Josas inFrance in 18-century. The purpose of this paper is to analyze the motifs and contents of thepattern design of 'Toile de Jouy' in the French Revolution. The scope of this study was mainlybased on the pictorial design of copper plate designs at the French Jouy factory from 1770 to1810. From the middle of the 18th century to France, Pictorial and descriptive fabric patternemerged by the development of copperplate printing techniques and influenced by French rococopaintings. In the Jouy factory, the artist Jean Baptiste Huet designed a creative, naturalisticpattern. The analysis of the period shown in the 'Toile de Jouy' motif is as follows. 1) Thepattern designs of ‘Toile de Jouy’ reflected the romanticism of pre-revolutionary aristocraticculture. The designs were influenced by the new genre of Rococo art, ‘fête galante’ andexpressed the love customs of the nobility at the time. The patterns reflected the romanticnature of the nobility. 2) The utopian nature of the time also appeared in Toile's designs. Withthe outbreak of the French Revolution, people dreamed of a better world than they are now, andthe interest in Utopia grew. The then fashionable Enlightenment influences brought people to arealization of nature, setting the stage for creating an ideal pastoral pattern. The Jouy factoryalso showed a utopian view of nature by creating vivid and enjoyable images of ordinary people. 3) Curiosity about the new world is reflected in the patterns of ‘Toile de Jouy’. Patterns areexotic and romantic. 4) The satires, criticisms, and lessons from contemporary works of art onthe patterns take on the nature of enlightenment. The pattern reflected people's desire to escapethe anxiety of the times and live in a utopian natural world. Contemporary aspirations andinterests were expressed in a romantic and exotic way in the patterns.