전래놀이로 바라본 한국인의 흥 원형 연구

Abstract

The historical aspect of a nation retains its original form, which is fluid and variable but does not change. Heung, the basis of K-pop, is thought to be the prototype of Korean design for modern people, however, there is a lack of research on design humanities to determine the identity of Korean design. The purpose of this study is to investigate the future direction of Korean design based on Heung by grasping the sensation of Koreans in works of art and by examining the structure in which Heung is expressed through traditional plays. Traditional plays were classified into individual and group plays according to the number of participants, and analyzed by subject and play characteristics. In terms of play characteristics, “faith origin” and “folklore customs” were both closely related to religious behaviors such as Shamanism, which were unique to Korea. It was confirmed that Korean seasonal customs were closely linked to group plays and were dynamically performed outdoors using objects found in nature as materials for tools and crafting them by hand. In traditional plays involving large numbers of groups, which were overwhelming, there was tendency to prioritize group entertainment over individual entertainment. This seems to have had a profound influence on the culture of farming villages and the harvest of crops. In addition, the rise and fall of the group through traditional Heung group plays was not only a relationship among humans, but also between ‘humans and nature’ and ‘humans and gods’. This suggests that the interest of Koreans is formed through relationships, and it is the same structure as that of Korean traditional paintings that expressed sympathy between humans and nature. It is understood that the culture of unique consilience is an original form affecting Korean Heung. We hope to combine this “Heung” or interaction of these relational characteristics with design studies to form the basis for further research.