가야 문화권 유물에 관한 문양과 장식의 시각언어와 수사적 표현 -토기, 철제 무기류, 장신구를 중심으로-

Abstract

The purpose of this study is to analyze the meaning of patterns and decorations expressed in Gaya relics to create the formative cultural value of Gaya relics and to create a basic study for the sustainability of values. The patterns and decorations of the Gaya relics are reflected in the development process of Gaya history from the mid-2nd century to the 6th century, revealing the lifestyle, culture and art, social structure and class, and relationship with the surrounding political circles. Since these are determined by the nature of sculpture, cultural values must be re-examined in terms of formulation. The first step of the research method is to identify the visual language of Gaya relics by presenting rhetoric used in various fields as a theoretical basis as a modern communication language. In the second step, the contents of the formative on the patterns and decorations of Gaya relics are collected, and the mutual relationship between the symbols and visual shaping principles they contain is analyzed in detail. The patterns and decorations of Gaya relics appear in a simple expression of geometric shapes and characteristics of animals and plants. In the relationship between patterns and decorations expressed in relics, earthenware presents human life itself without distinguishing between three images, such as ‘identity with nature and humans’, ironclad and decorative daedos ‘the origin of social power and eternal life’, and ornaments. These contents are expanded into implications through the visual principles of symmetry, repetition, balance, and contrast, and the visual investigation method of metaphor and formula. Therefore, the value of patterns and decorations expressed in Gaya relics is intensively expressed in terms of the meaning and message. As such, the patterns and decorations of Gaya relics are emotional, conative, poetic, and phatic communication, suggesting the possibility of sharing and empathy in modern formative expressions.