사산왕조 타퀴이 부스탄 부조에 묘사된 문양연구
A Study on the Patterns Depicted on the Reliefs at Taq-i Bustan of the Sasanian Dynasty
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This is a study about the patterns depicted on the reliefs at Taq-i Bustan built during the Sasanian Dynasty of Persia. This study aims to understand the costume culture of the Sassanian Dynasty by analyzing the patterns depicted on the reliefs at Taq-i Bustan. As a research method, a literature survey and a comparative analysis of empirical data collected through historical site exploration was synthesized. The results of this study are as follows: Patterns appearing on the reliefs at Taq-i Bustan include pearl patterns, flower patterns, and animal patterns such as ducks, boars, and simurghs. The themes of these patterns appear differently depending on the social status, so it is assumed that the patterns were used as a means of symbolizing social status in the Sasanian Dynasty. The pearl pattern was a typical pattern that appeared in royal iconography, and the flower pattern appeared in multiple variations, and was a pattern commonly observed in the kings and his servants. Among the animal patterns, the Simurgh(Semurv) pattern is a representative pattern, which symbolizes the fertility and fecundity of the earth and this pattern was observed only on the clothes of kings. Therefore, the Simurgh(Semurv) pattern was understood as a pattern symbolizing the king's wish for the well-being of nature and the people. The patterns of other animals were mainly observed on the king's servants. Through the analysis of the patterns depicted on the reliefs at Taq-i Bustan, the life and the social aspects of the Sassanian Dynasty could be examined.
Abstract
This is a study about the patterns depicted on the reliefs at Taq-i Bustan built during the Sasanian Dynasty of Persia. This study aims to understand the costume culture of the Sassanian Dynasty by analyzing the patterns depicted on the reliefs at Taq-i Bustan. As a research method, a literature survey and a comparative analysis of empirical data collected through historical site exploration was synthesized. The results of this study are as follows: Patterns appearing on the reliefs at Taq-i Bustan include pearl patterns, flower patterns, and animal patterns such as ducks, boars, and simurghs. The themes of these patterns appear differently depending on the social status, so it is assumed that the patterns were used as a means of symbolizing social status in the Sasanian Dynasty. The pearl pattern was a typical pattern that appeared in royal iconography, and the flower pattern appeared in multiple variations, and was a pattern commonly observed in the kings and his servants. Among the animal patterns, the Simurgh(Semurv) pattern is a representative pattern, which symbolizes the fertility and fecundity of the earth and this pattern was observed only on the clothes of kings. Therefore, the Simurgh(Semurv) pattern was understood as a pattern symbolizing the king's wish for the well-being of nature and the people. The patterns of other animals were mainly observed on the king's servants. Through the analysis of the patterns depicted on the reliefs at Taq-i Bustan, the life and the social aspects of the Sassanian Dynasty could be examined.
참고문헌 (31)
- 장영수, "페르시아 사산조 왕관의 연구", 복식, 60(6), pp.117~138 (2010), 한국복식학회
- 마테오 콤파레티, "아프라시압 벽화를 통해 본 소그드인의 세계관과 미술", 인문과학연구, (33), pp.173~203 (2021), 인문과학연구소[DOI]
- Chang, Y., "East-West Exchange of Costume Culture: Focusing on the Analysis of Taq-i Bustan Reliefs of the Sassanian Dynasty of Persia", Acta via Serica, 6(2), pp.1~20 (2021)[DOI]
- Compareti, M., "Inner Asian Art and Archaeology II" (2019)
- Compareti, M., "Central Asian Textile in Late Sasanian Art: On the Origin of Some Decorative Elements at Taq-i Bustan", Acta via serica, 6(2), pp.21~36 (2021)[DOI]
- Compareti, M., "The Elusive Persian Phonix. Simurgh and Pseudo-Simurgh in Iranian Art" (2021), Bologna
- Domyo, M., "Costume and Textile Design, In Taq-i Bustan IV", pp.96~134 (1984), University of Tokyo, Institute of Oriental Culture
- Domyo, M., "Late Sassanian Textile Designs in the Reliefs at Taq-i Bustan", Bulletin du CIETA, 74, pp.18~27 (1997)
- Ellerbrock, U., "Die Parther [The Parthians]" (2015), WBG(Wissenschaftliche Buchgesellscaft)
- Erdmannn, K., "Die Kunst Irans zur Zeit der Sasaniden[The Art of Iran in the Sasanian Period]" (1969), Bei Florian Kupferberg
- Frankfort, H., "The Art and Architecture of the Ancient Orien" (1954), Penguin Books
- Ghirshman, R., "Iran, Parthian and Sasanians" (1962), Thames and Hudson
- Geijer, A., "A Silk from Antione and the Sasanian Textile Art, Mittelasiatische Studien Band 2" (2000), Reinhold Schletzer Verlag
- Harper, P. O., "The Royal Hunter" (1978), The Asia Society, Inc.
- Herzfeld, E., "Am Tor von Asien[At the Gate of Asia]" (1920), Reimer
- Herzfeld, E., "Iran in the ancient East" (1988), Acker Art Books
- Hinz, W., "Altiranische Funde und Forschungen [Ancient Iranian finds and research]" (1969), de Gruyter
- Pope, A. U., "A Survey of Persian Art" (1939), Soroush Press
- Luschey, H., "Iran und der Westen von Kyros bis Khosrow. AMI, N.F.1" (1968), Verlag von Dietrich Reimer
- Overlaet, B., "Ardashir II or Shapur III? -Reflections on the Identity of a King in the Smaller Grotto at Taq-I Bustan", Iranica Antiqua, 46, pp.235~250 (2011)[DOI]
- Porada, E., "Alt-Iran" (1962), Holle Verlag
- "Himmelsscheibe-von-Nebra" (2006)[URL]
- Sarre, F., "Die Kunst des Alten Persien [The Art of Old Persia]" (1922), Bruno Cassirer Verlag
- Seipel, W., "7000Jahre persische Kunst – Meisterwerke aus dem Iranischen Nationalmuseum in Teheran[7000years Persian Art – masterpieces from Iranian nationalmuseum in Teheran], Cat: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 10. August 2001, 06. -Januar 2002" (2001), Skira Editore
- Shahabazi, A. Sh, "Studies in Sasanian Prospography – II. The Relief of Ardashir II at Taq-i Bustan", Archaeologische Mitteilungen aus Iran, Neue Folge, 18, pp.181~185 (1985)
- Tanabe, K., "Iconography of the Royal-Hunt Bas-Reliefs at Taq-I Bustan", Orient, 19, pp.103~119 (1983)
- Tucker, J., "The Silk Road, Art and History" (2003), Art Media Resources Ltd
- Wiesehoefer, J., "Das Fruehe Persien[The early Persia]" (2002), Verlag C.H. Beck
- "Akanthus" (2023)[URL]
- "Susa" (2023)[URL]
- Wilson, K., "A History of Textiles" (2000), 예경
