전통사찰 창살문양의 조형적 요소를 3D 프린팅 기법으로 활용한 목 장식 디자인 개발 - 성혈사, 범어사, 통도사 창살문양을 중심으로 -
Development of a Neck Decoration Design that Combines 3D Printing Technique and the Traditional Temple Muntin Pattern - focused on seonghyeolsa, beomeosa, and tongdosa -
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초록
오늘날 패션 액세서리는 세계화 시대를 맞이하여 고부가가치 패션산업의 일환으로, 전통문화를 바탕으로 한 디자인 개발이 활발히 이루어지고 있다. 특히 한국의 전통문양을 활용한 디자인 개발은 문화 경쟁력 확보와 독창적 디자인의 가능성을 보여주고 있다. 한국의 전통문양 중 창살 문양은 우리 민족의 미의식을 알 수 있는 중요한 요소로 디자인 개발에서 다양하게 접목되고 있다. 그러나 전통 사찰의 창살에서 나타나는 꽃과 동물 문양을 활용한 패션 액세서리 개발은 많지 않다. 따라서 본 연구는 성혈사 나한전, 범어사 팔상전, 통도사 대웅전 3개의 사찰을 중심으로 창살에 나타나는 꽃과 동물 문양을 살펴보고 이를 통해, 입체 목 장식 디자인을 개발하는 것을 목적으로 한다. 본 연구의 방법은 이론적 배경 연구와 3D 프린팅을 활용한 작품 제작이다. 우선 이론적 배경 연구를 통해 꽃과 동물문양을 활용한 창살의 종류와 특징을 알아보았으며, 성혈사, 범어사, 통도사의 창살 문양에서 나타나는 모티브와 조형적 특성을 살펴보았다. 이와 함께 3D 프린팅을 활용한 패션 제품의 현황을 알아보았으며, 3D 프린팅을 활용한 목 장식 디자인의 사례를 수집하고 입체적 조형성을 살펴보았다. 본 연구의 작품 제작은 라이노세로스 5.0과 FDM 방식의 프린트기로 이루어졌으며, 모델링과 렌더링 과정에서 착용성을 감안하여 상의 기본형 패턴을 활용하였다. 작품의 모티브는 정자살 문양과 매화 문양이 혼합된 창살, 격자 빗살 문양과 국화 문양이 혼합된 창살, 사슬고리 문양과 모란 문양이 혼합된 문양, 불연속으로 배열되는 물총새 문양으로 한정하였다. 이를 바탕으로 본 연구의 작품은 관통형을 활용한 내부 공간의 노출이 나타나는 작품 2개, 입방체형을 활용한 내부 공간의 노출이 나타나는 작품 2개, 곡면 적층에 따른 입체적 텍스처가 나타나는 작품 4개, 총 8개의 목 장식 디자인 작품을 제작하였다. 연구결과 성혈사 나한전, 범어사 팔상전, 통도사 대웅전 창살에서는 독특한 미의식과 상징성을 찾을 수 있었으며, 이를 3D 프린팅 기술과 접목할 시 입체적인 목 장식 디자인을 개발할 수 있음을 알 수 있었다.
Abstract
Today, in the global era, fashion accessories are actively developing designs based on cultural DNA as a part of the high value-added fashion industry. In particular, design development using Korean traditional patterns shows the possibility of securing cultural competitiveness and creative design. Among the traditional patterns of Korea, the muntin pattern is one of the important elements to understand the aesthetic consciousness of our people, and it is applied in various ways in design development. However, there are not many design developments utilizing the elements of plants and animals that appear in the muntin patterns of traditional temples. Therefore, this study examines the aesthetic characteristics of the animal and plant patterns of traditional temples and, through this, attempts to develop a neck decoration design. This study consists of theoretical inquiry and production using 3D printing. The production of the work of this study was modeled and rendered through Rhino 3D 5, and was output in the FDM method. The motif of the work was limited to a mixed pattern of orthogonal lines and plants, a pattern of a mixture of orthogonal and diagonal lines and plants, a pattern of a mixture of curves and plants, and an animal pattern arranged in discontinuity. In addition, in the work modeling, a flat pattern of women's wear was used in consideration of wearability. Based on this, the work of this study consisted of 6 works showing three-dimensional textures according to the curved stacking, and 2 works showing the exposure of the internal space using a through type, and a total of 8 neck decoration design works were produced. As a result of the study, it was found that the elements of animals and plants appearing in the muntin patterns of traditional temples have various aesthetic characteristics, and when combined with 3D printing technology, a three-dimensional neck decoration design can be developed.
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