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말레비치의 “Victory over the Sun”에 표현된 절대주의 예술 의상 연구

A study on the costume arts and Suprematism expressed in Malevich’s “Victory over the Sun”

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This study analyzed how Kruchenikh's opera, "Victory over the Sun", performed in Saint Petersburg, Russia, in 1913, contributed to the birth of Malevich's Suprematism in 1915, and how the forms and features of the costumes were expressed in the opera's content. The results of the study are as follows: First, the theoretical background of the opera, "Victory over the Sun" was limited to Suprematism and non-objective art, which was divided into analytical cubism, cubo-futurism, and Uspensky's four-dimensional concept of space. Second, to reveal that Suprematism, appeared in the form of non-objective abstract art, was possible with the set and costume design of "Victory over the Sun," the set design was analyzed. Third, to reveal that Malevich's Suprematism was influenced by "Victory over the Sun," the study considered the characteristics of Suprematism in "Victory over the Sun". Finally, Malevich's Suprematism art costumes expressed in "Victory over the Sun" were divided into geometric spatial structures, images of black & white, mechanical human images, and images of warriors and the characteristics of each costume were considered. Malevich's "Victory over the Sun" showed a significant impact not only on the birth of Suprematism but also on the development of the non-objective art & costumes.

Abstract

This study analyzed how Kruchenikh's opera, "Victory over the Sun", performed in Saint Petersburg, Russia, in 1913, contributed to the birth of Malevich's Suprematism in 1915, and how the forms and features of the costumes were expressed in the opera's content. The results of the study are as follows: First, the theoretical background of the opera, "Victory over the Sun" was limited to Suprematism and non-objective art, which was divided into analytical cubism, cubo-futurism, and Uspensky's four-dimensional concept of space. Second, to reveal that Suprematism, appeared in the form of non-objective abstract art, was possible with the set and costume design of "Victory over the Sun," the set design was analyzed. Third, to reveal that Malevich's Suprematism was influenced by "Victory over the Sun," the study considered the characteristics of Suprematism in "Victory over the Sun". Finally, Malevich's Suprematism art costumes expressed in "Victory over the Sun" were divided into geometric spatial structures, images of black & white, mechanical human images, and images of warriors and the characteristics of each costume were considered. Malevich's "Victory over the Sun" showed a significant impact not only on the birth of Suprematism but also on the development of the non-objective art & costumes.

참고문헌 (20)

  1. 박윤정, "러시아 절대주의 예술의상 연구 - 카시미르 말레비치의 예술작품을 중심으로 -", 복식문화연구, 17(6), pp.1083~1098 (2009), 복식문화학회[DOI]
  2. 박윤정, "말레비치의 “Victory Over the Sun”이 현대 패션디자인에 미친 영향: Martin Margiela를 중심으로", 복식문화연구, 24(6), pp.839~853 (2016), 복식문화학회[DOI]
  3. 이수민, "오페라 <태양에 대한 승리>를 위한 말레비치의 무대 및 의상 디자인 연구", 석사, 미술사, pp.2006
  4. Bartlett, R., "Victory over the Sun: The World’s First Futurist Opera" (2011), University of Exeter Press
  5. Bowlt, J. E., "Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934" (1976), Thames & Hudson
  6. Bowlt, J. E., "The Silver Age: Russian art of the Early Twentieth Century and the "World of Art" Group" (1982), Generic
  7. "BAM/Brooklyn Acadamy of Music" (1983)[URL]
  8. Compton, S., "The World Backwards: Russian Futurist Books, 1912-16" (1978), British Museum Publications
  9. Douglas, C., "“Birth of a Royal Infant”:Malevich and Victory over the Sun", Art in America, 62, pp.45~51 (1974)
  10. Douglas, C., "The new Russian art and Italian Futurism", Art Journal, 34(3), pp.229~239 (1975)
  11. Douglas, C., "Victory over the sun", Russian History, 8(1-2), pp.69~89 (1981)
  12. "Fondation Louis Vuitton" (2015)[URL]
  13. Gray, C., "The Russian experiment in art 1863-1922" (1986), Thames & Hudson
  14. Henderson, L., "The Merging of Time and Space: “The Fourth Dimension”in Russia from Ouspensky to Malevich", The Structurist, 15, pp.97~108 (1975)
  15. Henderson, L., "The Fourth Dimension and Non-Euclidean Geometry in Modern Art" (1983), Princeton University Press
  16. Hulten, P., "Futurism & Futurisme" (1987), Thames & Hudson
  17. Malevich, K., "Theories of Modern Art: A source book by artists and critics", pp.341~345 (1968), University of California Press
  18. Rudenstine, A. Z., "Russian Avant-Garde Art:The George Costakis Collection" (1981), Abrams, Inc
  19. "The Russian avant-garde is back and is fiercer than ever" (2014)[URL]
  20. Zhadova, L. A., "Malevich: Suprematism and revolution in Russia art 1910-1930" (1982), Thames and Hudson

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