토마스 하디의 『숲속의 사람들』에 나타난 여성화된 영웅주의
The Feminized Heroism presented in Thomas Hardy's The Woodlanders
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper aims to study The Feminized Heroism presented in The Woodlanders. This novel that immediately followed The Mayor of Casterbridge was the one that Hardy said that he liked as a story, the best of all. In The Woodlanders Hardy emphasizes the class changes of the community. The fact that the people's social status forming the mainstream in Little Hintock community goes up or down is emphasized by the lives of the characters. In especial, Grace’s father, Melbury’s thought is the key point which feminizes Giles’ heroism. Giles does not succeed in winning Grace as a wife in the end, and one possible reason for his failure may be that his heroism at times strays too close to the feminine for him to take up the dominant position in relation to the novel's heroine. The general development of the story is melancholy, and the ending of this novel unsatisfactory in any way but an artistic of view is only another evidence of Thomas Hardy's expressive methods. The good man suffers; the bad man not only prospers, but to make matters worse, this work shows signs of amendment without having been adequately punished. In this novel the woodlands as a rule show many problems of the community in many points of view as a process of the living of the residents. This paper proves incompatible contradictory aspects between community spirit and individuality related to Giles’s heroism, and I can see that the gap between the social class and gender representing the relations of the power located in the heart of the desire in the novel, finally functions heroism as a main feminizing cause. In this paper Giles shows pure and conscientious delicacy at that time and his undecorated heroism ends up in feminization, and results in romantic and pitiful main character.
Abstract
This paper aims to study The Feminized Heroism presented in The Woodlanders. This novel that immediately followed The Mayor of Casterbridge was the one that Hardy said that he liked as a story, the best of all. In The Woodlanders Hardy emphasizes the class changes of the community. The fact that the people's social status forming the mainstream in Little Hintock community goes up or down is emphasized by the lives of the characters. In especial, Grace’s father, Melbury’s thought is the key point which feminizes Giles’ heroism. Giles does not succeed in winning Grace as a wife in the end, and one possible reason for his failure may be that his heroism at times strays too close to the feminine for him to take up the dominant position in relation to the novel's heroine. The general development of the story is melancholy, and the ending of this novel unsatisfactory in any way but an artistic of view is only another evidence of Thomas Hardy's expressive methods. The good man suffers; the bad man not only prospers, but to make matters worse, this work shows signs of amendment without having been adequately punished. In this novel the woodlands as a rule show many problems of the community in many points of view as a process of the living of the residents. This paper proves incompatible contradictory aspects between community spirit and individuality related to Giles’s heroism, and I can see that the gap between the social class and gender representing the relations of the power located in the heart of the desire in the novel, finally functions heroism as a main feminizing cause. In this paper Giles shows pure and conscientious delicacy at that time and his undecorated heroism ends up in feminization, and results in romantic and pitiful main character.
참고문헌 (27)
- Adams, James Eli, "Dandies and Desert Saints: Styles of Victorian Masculinity" (1995), Cornell UP
- Alderson, David, "Mansex fine: religion, manliness and imperialism in nineteenth-century British culture" (1998), Manchester UP
- Bayley, John, "A Social Comedy? On Re-reading The Woodlanders, In Critical Essays on Thomas Hardy: The Novels" (1990), G.K. Hall
- Boumelha, Penny, "Thomas Hardy and Women" (1982), Harvester
- Casagrande, Peter J., "The Shifted 'Centre of Altruism' in The Woodlanders: Thomas Hardy's Third 'Return of a Native.'", ELH, 38 (1971)
- Connor, Steven, "Theory and Cultural Value" (1992), Blackwell
- Cox, R.G., "Unsigned review, Athenaeum”Thomas Hardy: The Critical Heritage" (1995), Routledge
- Devereux, Joanna, "Patriarchy and Its Discontents" (2003), Routledge
- Drake Jr. Robert Y., "The Woodlanders as Traditional Pastoral", Modern Fiction Studies, 6 (1960)
- Eagleton, Terry, "Criticism and Ideology" (1978), Verso
- Easthope, Antony, "What A Man's Gotta Do: The Masculine Myth in Popular Culture" (1990), Routledge
- Fayen Jr., George S., "Hardy's The Woodlanders: Inwardness and Memory", Studies in English Literature, Ⅰ(4) (1961)
- Fisher, Joe, "The Hidden Hardy" (1992), St. Martin's Press
- Garson, Majorie, "Hardy's Fables of Integrity: Woman, Body, Text" (1991), Clarendon Press
- Giordano, Frank R., "I'd have My Life Unbe”: Thomas Hardy's Self-destructive Characters" (1984), University of Alabama Press
- Hardy, Thomas, "The Woodlanders" (1985), Macmillan
- Hardy, Thomas, "Tess of the d'Urbervilles" (1912), Macmillan
- Hardy, Thomas, "The Life and Work of Thomas Hardy" (1985), University of George Press
- Hardy, Florence Emily, "The Later Years of Thomas Hardy 1892-1928" (1930), Macmillan
- Irigaray, Luce, "Another 'Cause'-Castration, In Feminism: An Anthology of Literary Theory and Criticism", pp.430~437 (1997), Rutgers UP
- Miller, J. Hillis, "Thomas Hardy: Distance and Desire" (1970), Belknap Press
- Millgate, Michael, "Thomas Hardy: A Biography" (1982), Oxford UP
- Neill, Edward, "The Secret life of Thomas Hardy; "Retaliatory fiction”" (2004), Ashgate Publishing
- Steel, Gayla R., "Sexual Tyranny in Wessex: Hardy's Witches and Demons of Folklore" (1993), Peter Lang
- Williams, Linda, "Film Bodies: Gender, Genre and Excess", Film Quarterly, 44(4) (1991)
- Williams, Raymond, "Thomas Hardy", Critical Quarterly, 6, pp.341~351 (1964)
- Wotton, George, "Thomas Hardy: Towards a Materialist Criticism" (1985), Gill and Macmillan
