본문 바로가기
KERD
논문KCI 등재

김수영 시의 ‘방’과 내면적 갈등의 변화 양상

'The Room' and Changing Aspect of inner conflict in the Kim, Sooyoung's Poem

0

조회

0

다운로드

6

인용

0

참고문헌

키워드

주제분류기타인문학

초록

This research investigated by dividing largely into three under the premise that 'The Room' in Kim, sooyoung's poem is a space where self-realization is performed. The room in Kim, sooyoung's poem differs its meaning by perceiving who's the owner of the room, where power relation is formed among the family, as the biggest characteristic. The room where the power relation was formed, is not a cozy space of rest for the narrator any more, but functions as a space which threatens the existence. The narrator's sight on the other's room, represented as the sister's room, is quite critical. The narrator finds out impropriety in the sister's room in terms of being well-ordered with everything therein, which he perceived that the sister keeps silent on the negative aspect of the world. However, the narrator receives the fact that she tried to forgive and reconcile, not to keep silent on the negative things, by seeing her with positive sight through the comparison with himself. Also, the narrator receives a process of self-realization through this conversion of viewpoint. When seeing the room related to revolution, the room means the inner world of the poet, which implies that no revolution occurred in the inner side of the poet. Therefore, the narrator keeps on changing the room, or satirize himself who cannot perform proper revolution. This self-satire finally brings conversion of consciousness in the inner world, and shows the resolution of life to confront his own problem, not to repeat escape any more. This way, poet Kim, sooyoung sees the room through the relation with others in order to express his inner side, or examine by comparing their attitude toward the room and his own attitude. And this act shows the process of realizing the narrator's self in the conflict with the world.

Abstract

This research investigated by dividing largely into three under the premise that 'The Room' in Kim, sooyoung's poem is a space where self-realization is performed. The room in Kim, sooyoung's poem differs its meaning by perceiving who's the owner of the room, where power relation is formed among the family, as the biggest characteristic. The room where the power relation was formed, is not a cozy space of rest for the narrator any more, but functions as a space which threatens the existence. The narrator's sight on the other's room, represented as the sister's room, is quite critical. The narrator finds out impropriety in the sister's room in terms of being well-ordered with everything therein, which he perceived that the sister keeps silent on the negative aspect of the world. However, the narrator receives the fact that she tried to forgive and reconcile, not to keep silent on the negative things, by seeing her with positive sight through the comparison with himself. Also, the narrator receives a process of self-realization through this conversion of viewpoint. When seeing the room related to revolution, the room means the inner world of the poet, which implies that no revolution occurred in the inner side of the poet. Therefore, the narrator keeps on changing the room, or satirize himself who cannot perform proper revolution. This self-satire finally brings conversion of consciousness in the inner world, and shows the resolution of life to confront his own problem, not to repeat escape any more. This way, poet Kim, sooyoung sees the room through the relation with others in order to express his inner side, or examine by comparing their attitude toward the room and his own attitude. And this act shows the process of realizing the narrator's self in the conflict with the world.

참고문헌 (17)

  1. 김수영, "김수영 전집1 시" (1984), 민음사
  2. 이남호, "1950년대의 시인들" (1994), 나남
  3. 김유중, "김수영과 하이데거" (2007), 민음사
  4. 이승훈, "문학상징사전" (1995), 고려원
  5. 이은정, "현대시학의 두 구도" (1999), 소명
  6. 최하림, "김수영 평전" (2001), 실천문학사
  7. 가라타니 고진, "일본 근대문학의 기원" (2004)
  8. 가스통 바슐라르, "공간의 시학" (2003), 동문선
  9. 슬라보예 지젝, "이데올로기라는 숭고한 대상" (2003), 인간사랑
  10. 이성민, "사랑과 증오의 도착들" (2003), b
  11. 박지해, "김수영 시에 나타나는 ‘아내’와 ‘여편네’의 정치성", 한민족어문학(구 영남어문학), (65), pp.707~739 (2013), 한민족어문학회
  12. 배은별, "김수영 시에 나타난 사랑과 혁명의 의미 연구 : 시적 주체의 변모 과정을 중심으로", 석사, 문예창작학, pp.2010
  13. 여태천, "김수영 시의 장소적 특성 연구", 민족문화연구, (41), pp.347~387 (2004), 민족문화연구원
  14. 오채운, "김수영 시의 관계적 측면에서 본 여성", 인문연구, (72), pp.107~142 (2014), 인문과학연구소
  15. 오채운, "김수영 시의 ‘발설’과 아이러니적 거인신격", 인문학연구, (47), pp.327~357 (2014), 인문학연구원
  16. 유창민, "김수영 시에 나타난 여성에 대한 시선 연구", 겨레어문학, (45), pp.153~181 (2010), 겨레어문학회
  17. 이지혜, "김수영 시의 기호학적 연구 : 공간 기호를 중심으로", 석사, 문예창작학, pp.2002

관련 논문AI추천

이 간행물의 다른 논문 (15건)