남궁만 단막희곡 연구

Abstract

The aim of this report is correctly understanding Nam-gung, Man' literature through his Gwangbokgi One-act play reflecting party policy and party trait The first period of One-act play trend and Nam-gung, Man' creative activity is from August 15,1945 independence to 1948 independence immediately after. Nam-gung, Man' one-act play published in this time is 「Haeui island」,「spring rain」, 「mountains and rivers humanness」,「Autumn」「Jeju island」, etc. Second period is a People's Republic of North Korea that is from the late 1948 just before the June 25th Incident of Korea. This period's works are 「Train」, 「Emotion of Moun」, 「landscape of Toseongrang」, 「Railroad construction site in Imsan」 There are traits of his one-act play of independence immediately after. First trait is simple structure emphasizing the ending and the scene compression through processing lines. Second, his works show dramatic tension through marriage problem and as forming oppositive figures. Therefore, he constructs support about land reform in North Korea according to this. The first trait of his one-act plays in the time of People's Republic of North Korea makes affirmative person have the power of unity to service the construction of new homeland. Second trait is to have detailed and realistic space through depictive stage explanation and to enhance report function through newspaper and article. His one-act plays stress the power of unity and patriotism to build new communism system in this period. On the other hand, his works have limits of one-act plays. Although his one-act plays have ideology elements, biased and stiff evaluation of his works should be resolutely corrected. Lastly, I hope Nam-gung, Man's works have a chance to be found and studied boardly and variously.