중국 ‘微電影(웨이띠엔잉)’의 서사적 개선 연구 - 한국 ‘로맨틱 코미디’의 서사적 특징을 중심으로
A Study on the Innovation in narration of Chinese Micro Film － Based on the example of Narration Technique of Korean Romantic Comedy
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Since the end of 2010, when the first micro film Imminent Crisis was released on Sina Weibo, there has been a great upsurge in micro films in China, followed by its rapid development. Though the micro film has been improving in terms of their amount and variations, there are still many areas for improvement in their creation process, particularly on the narration. Since the development of Chinese micro film is still at its early stage, it is still necessary to draw on the characteristics of others in the creation process. With the continuous influx of Hallyu, Korean are gaining popularity among Chinese audiences, especially Korean romantic comedies, which are known for their humorous and sentimental plots. This effect is what Chinese micro films need – a mix of romantic and comedic elements. Thus, this study will deeply analyze the combination of these two elements, so as to provide reference for the further development of Chinese micro film.
Abstract
Since the end of 2010, when the first micro film Imminent Crisis was released on Sina Weibo, there has been a great upsurge in micro films in China, followed by its rapid development. Though the micro film has been improving in terms of their amount and variations, there are still many areas for improvement in their creation process, particularly on the narration. Since the development of Chinese micro film is still at its early stage, it is still necessary to draw on the characteristics of others in the creation process. With the continuous influx of Hallyu, Korean are gaining popularity among Chinese audiences, especially Korean romantic comedies, which are known for their humorous and sentimental plots. This effect is what Chinese micro films need – a mix of romantic and comedic elements. Thus, this study will deeply analyze the combination of these two elements, so as to provide reference for the further development of Chinese micro film.
참고문헌 (12)
- 멜로 영화 콘텐츠의 스토리텔링 전략 분석, "김정희", 인문콘텐츠, ~ (2007)
- 김호연, "한류를 통해 바라본 한국영화의 확산 현상 연구", 코기토, 70, pp.275~303 (2011), 인문학연구소
- 박선아, "한국 로맨틱 코미디 영화에 나타난 여성성 재현의 변화 연구 : <엽기적인 그녀>와 <싱글즈>를 중심으로", 영상예술연구, (13), pp.79~111 (2008), 영상예술학회
- 방현석, "이야기를 완성하는 서사패턴" (2013), 한영문화사
- 안숭범, "영화의 서사요소 비교연구 - 「엽기적인 그녀」와 「내사랑 싸가지」를 중심으로", 인문콘텐츠, (8), pp.273~299 (2006), 인문콘텐츠학회
- 이제영, "한중 인터넷 이용자들의 한국영화 이해에 관한 비교 연구 : <엽기적인 그녀>영화 사이트의 관람후기 게시판을 중심으로", 한국언론정보학보, 34, pp.196~242 (2006), 한국언론정보학회
- 주 율, "곽재용 영화에 나타난 여성상 연구", 석사, 영화영상학과, pp.2013
- 郭方红, "浅析韩国喜剧电影的艺术特点", 电影文学, (2) (2011)
- 徐瑩, "公益微電影創作誤區及出路", 傳媒, (3) (2015)
- 孫暢, "微電影劇本創作研究", 석사, pp.2012
- 鄭軍, "新媒介語境下微電影的後現代敘事特征初探", 東北師大學報, (6) (2012)