기형도 시에 나타난 혐오와 연민의 양상 연구

Abstract

In the poetry of Gi Hyeong-do, the patterns of disgust and the sense of compassion expressed through the anonymized poetic subjects are related. In his poems, the disgust towards the elderly or aging can be seen as a negative attitude projected onto the other, reflecting his own future. Gi Hyeong-do sets the elderly or aging as the subject to embody figures who have lost the hope or drive of life,沉merely immersed in memories, while still persistently expressing greed. The direction of this expression consistently points toward the self. For this reason, in Gi Hyeong-do's poetry, hope is not so much an optimistic expectation or outlook for the future, but rather, it often accompanies lamentations and regrets about the lack of a future in life. In a series of his works, Gi Hyeong-do demonstrates a narrative style in which the poetic speaker does not function as an active agent but instead retreats to the role of a passive observer, merely reporting on the subject. The objects of observation are typically referred to using terms of anonymity, such as "he," "the man," or "Kim." The directive of anonymity in these works can ultimately be seen as an object introduced by the poetic speaker to objectify themselves. In such works, the speaker plays the role of a passive, observational narrator, but the feelings of disgust or compassion expressed toward the object ultimately reflect back on themselves. In the poetry of Ki Hyongdo, disgust is characterized by the fact that its direction ultimately turns toward the self, accompanied by self-compassion.