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지리산에 대한 시적 인식의 변화 연구 - 시선의 이동과 이미지의 운동성에 주목하여

A Study on the Poetic Eye changed Mt. iri

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초록

The literary work which makes Mt. Jiri with background is various. Since the early 1970's, especially after the Korean War, Mt. Jiri to deal with in the poems is increased. But simply the fact that treats Mt. Jiri with the material is not important. Finally through the process of poetic perception of the subject and object is a unique a relationship. This paper researches the aspect how the nature or the space which is Mt. Jiri is accommodated to modern poetry subjectively. Chapter Ⅱ revealed at the historical aspects of the wound and pain are examined. In the 1970's the poet mainly see Mt. Jiri from far. Macroscopic point of view as seen from the Jiri is filled with images of death. The poet have such a variety of images that depict the movement to eliminate a historical despair. Chapter Ⅲ mainly covers poems published in 1980. Unlike the 1970s to the 1980s, the poet's eye is very specific and sensory changes. Because of these changes was an abstract and symbolic Mt. Jiri will get even more lively. The distance between the poet Mt. Jiri closer. During the period the poet's attention to the vitality of spring or the market Hwagae. Active sound mix makes images more vivid. Chapter Ⅳ poems dealing mainly distributed in the 1990's,recognition which is dispersed little by little is deepened. Finally it is diffused. At this time the eye of the subject sees through the object. The object and subject are actively sympathetic. A bird's cry is transferred to many other birds. The aspect where the eye which condenses make the opportunity which connects the individual and the community. One man climb a mountain along the way that other people has already passed. The individual's inner anguish is exchanged with common fate of the community or the nation. The perspective eye through which pierces the inside of thing was a mere symbol or emotional space to Mt. Jiri to establish a new aesthetic possibilities. Huge Mt. Jiri is cherishing a historical tragedy plentifully. However,the history of the space is always updated. Unique eye of the poet can create a new space. The poetic recognition causes being understood and the sympathy which are impossible with language of ordinary. Also it simply Mt. Jiri is a space of wound and pain is a possibility to change in the space where is a creative space with a rhythm and evidence of the life which is substantial.

Abstract

The literary work which makes Mt. Jiri with background is various. Since the early 1970's, especially after the Korean War, Mt. Jiri to deal with in the poems is increased. But simply the fact that treats Mt. Jiri with the material is not important. Finally through the process of poetic perception of the subject and object is a unique a relationship. This paper researches the aspect how the nature or the space which is Mt. Jiri is accommodated to modern poetry subjectively. Chapter Ⅱ revealed at the historical aspects of the wound and pain are examined. In the 1970's the poet mainly see Mt. Jiri from far. Macroscopic point of view as seen from the Jiri is filled with images of death. The poet have such a variety of images that depict the movement to eliminate a historical despair. Chapter Ⅲ mainly covers poems published in 1980. Unlike the 1970s to the 1980s, the poet's eye is very specific and sensory changes. Because of these changes was an abstract and symbolic Mt. Jiri will get even more lively. The distance between the poet Mt. Jiri closer. During the period the poet's attention to the vitality of spring or the market Hwagae. Active sound mix makes images more vivid. Chapter Ⅳ poems dealing mainly distributed in the 1990's,recognition which is dispersed little by little is deepened. Finally it is diffused. At this time the eye of the subject sees through the object. The object and subject are actively sympathetic. A bird's cry is transferred to many other birds. The aspect where the eye which condenses make the opportunity which connects the individual and the community. One man climb a mountain along the way that other people has already passed. The individual's inner anguish is exchanged with common fate of the community or the nation. The perspective eye through which pierces the inside of thing was a mere symbol or emotional space to Mt. Jiri to establish a new aesthetic possibilities. Huge Mt. Jiri is cherishing a historical tragedy plentifully. However,the history of the space is always updated. Unique eye of the poet can create a new space. The poetic recognition causes being understood and the sympathy which are impossible with language of ordinary. Also it simply Mt. Jiri is a space of wound and pain is a possibility to change in the space where is a creative space with a rhythm and evidence of the life which is substantial.

참고문헌 (17)

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  3. 곽재구, "사평역에서" (1983), 문학과지성사
  4. 김명인, "물 건너는 사람" (1992), 세계사
  5. 김수복, "「지리산(智異山) 타령」 부분, In 지리산 타령" (1977), 한국문학사
  6. 김지하, "타는 목마름으로" (1982), 창작과비평사
  7. 송수권, "지리산 뻐꾹새" (1991), 미래사
  8. 이성부, "지리산" (2001), 창작과비평사
  9. 강희근, "한국 현대시 속에 나타난 지리산, 섬진강 그리고 하동", 지리산과 섬진강 그리고 하동: 2010 하동 전국 문인 대회 자료집 (2010)
  10. 남송우, "지리산문학의 현황과 과제: 작품 속에 나타난 지리산의 의미를 중심으로", 지리산과 섬진강 그리고 하동: 2010 하동 전국 문인 대회 자료집 (2010)
  11. 불교문화연구원, "한국화엄사상연구" (1984), 동국대학교출판부
  12. 이성부, "지리산과 나의 문학", 지리산과 섬진강 그리고 하동: 2010 하동 전국 문인 대회 자료집 (2010)
  13. 張法, "동양과 서양, 그리고 미학" (1999), 푸른숲
  14. 조동일, "문학지리학을 위한 출발선상의 토론", 한국문학연구, 27 (2004), 동국대학교 한국문학연구소
  15. 지리산권문화연구단, "지리산과 명산문화" (2010), 순천대학교 지리산권문화연구원, 경상대학교 경남문화연구원, 디자인흐름
  16. Henri Lefebvre, "공간의 생산" (2011), 에코리브르
  17. Paul Fussell, "Poetic Meter and Poetic Form" (1979), University of Pennsylvania

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