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李後白論

Theory on Lee Hu-Baek

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초록

This study focuses on the life of Lee Hu-Baek along with his character and the styles of his responses to reality. Lee was born with a refined, solemn, simple and unselfish character, great talents in writing and memory, and an attitude of observing laws and working hard. He concentrated on writing at first and immersed himself in Jeongjuhak at the age of 25 and since. He was recognized as Honam's greatest literary figure before going into government service and considered as the master of contemporary literature at the court. His spiritual orientation succeeded the spirit of the 16th-century Sarimpa. He demonstrated such excellent administrative skills that people said he was armed with a keen and experienced eye for current affairs and a thorough and familiar way with authentic precedents. His office life was characterized by his loyalty of Geogwanjinjik and integrity of Yulshincheonggo. The external attitude of Wuyujeongdae and the internal aspect of Soirakjongyong well represent his character. As for the styles of his responses to reality, he tried to put the king's mind on the right track and promote the morale, holding office during a period of withdrawal after Eulsasahwa; contributed to the opening of Sarim politics by writing the symbols of correcting the history during the early years of King Seonjo's reign such as Sakhunmun and Gukjoyuseonrokseo; achieved some diplomatic results, welcoming envoys from Ming Dynasty and advocating the Jonggye at Jucheongsa; established the fundamental principles of the court with the loyalty true to his position and the mind-set of observing laws; and left great administrative records in tightening discipline and educating local people with rough customs as a local public servant.

Abstract

This study focuses on the life of Lee Hu-Baek along with his character and the styles of his responses to reality. Lee was born with a refined, solemn, simple and unselfish character, great talents in writing and memory, and an attitude of observing laws and working hard. He concentrated on writing at first and immersed himself in Jeongjuhak at the age of 25 and since. He was recognized as Honam's greatest literary figure before going into government service and considered as the master of contemporary literature at the court. His spiritual orientation succeeded the spirit of the 16th-century Sarimpa. He demonstrated such excellent administrative skills that people said he was armed with a keen and experienced eye for current affairs and a thorough and familiar way with authentic precedents. His office life was characterized by his loyalty of Geogwanjinjik and integrity of Yulshincheonggo. The external attitude of Wuyujeongdae and the internal aspect of Soirakjongyong well represent his character. As for the styles of his responses to reality, he tried to put the king's mind on the right track and promote the morale, holding office during a period of withdrawal after Eulsasahwa; contributed to the opening of Sarim politics by writing the symbols of correcting the history during the early years of King Seonjo's reign such as Sakhunmun and Gukjoyuseonrokseo; achieved some diplomatic results, welcoming envoys from Ming Dynasty and advocating the Jonggye at Jucheongsa; established the fundamental principles of the court with the loyalty true to his position and the mind-set of observing laws; and left great administrative records in tightening discipline and educating local people with rough customs as a local public servant.

참고문헌 (12)

  1. 李後白, "靑蓮集" (2008), 한국고전번역원
  2. 李後白, "靑蓮先生文集" (1988), 경인문화사
  3. 국역청련집간행위원회, "국역 청련집" (1992), 전남대학교 출판부
  4. 김기현, "이후백과 그의 시조" (1986)
  5. 고영진, "16세기 호남 사림의 활동과 학문", 남명학연구, 3 (1993), 경상대학교 남명학연구소
  6. 정용수, "이후백의 瀟湘八景歌 변증", 문화전통논집, (창간) (1993), 경성대학교향토문화연구소
  7. 전형대, "靑蓮 李後白 선생의 선비정신과 시", 경기어문학, 8 (1994), 경기대학교
  8. 김신중, "瀟湘八景歌의 관습시적 성격", 고시가연구, 5 (1998), 한국고시가연구회
  9. 김대현, "靑蓮 李後白 漢詩에 나타난 두 가지 새로운 경향", 한국언어문학, (53), pp.335~357 (2004), 한국언어문학회
  10. 김동하, "청련 이후백의 시문학 연구", 박사, pp.1999
  11. 김동하, "靑蓮 李後白 詩의 風格", 고시가연구, (15), pp.51~74 (2005), 한국고시가문학회
  12. 김동하, "이후백의 칠언고시에 드러난 유교사상의 시적 형상화", 고시가연구, (18), pp.1~21 (2006), 한국고시가문학회

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