이시영 시의 모더니티 연구
A study on Modernity in Lee, si-young's poems
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The purpose of this study is to research other modernity in Lee,si-young's poems. Lee's life have been clear, but his poems walked up and down the borderland between poetry and post-poetry. This point must be definite, the aesthetic-effects in his poems could be exposed. We have made a distinction between aesthetics modernity and social-historic modernity. Before everything, I looked into the process to take form modernity in 1920's. Soon after, I looked into how to change to mutate modernity in Lee's poems. From the side view of romanticism, to Lee, si-young, nature is text now. Take the side of realism, a society is text. From the side of modernism, a language is text. The modernity Lee's poems have passed over above all. His poetry is going to other place/time/people. He don't where to go intention-point, like leaders. Like his comment, poet is not to write poetry but poetry is not to write poet. I expect to his poems to be opening newly linguistic horizon that will become another modernity of Korean aesthetics-modernity.
Abstract
The purpose of this study is to research other modernity in Lee,si-young's poems. Lee's life have been clear, but his poems walked up and down the borderland between poetry and post-poetry. This point must be definite, the aesthetic-effects in his poems could be exposed. We have made a distinction between aesthetics modernity and social-historic modernity. Before everything, I looked into the process to take form modernity in 1920's. Soon after, I looked into how to change to mutate modernity in Lee's poems. From the side view of romanticism, to Lee, si-young, nature is text now. Take the side of realism, a society is text. From the side of modernism, a language is text. The modernity Lee's poems have passed over above all. His poetry is going to other place/time/people. He don't where to go intention-point, like leaders. Like his comment, poet is not to write poetry but poetry is not to write poet. I expect to his poems to be opening newly linguistic horizon that will become another modernity of Korean aesthetics-modernity.
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