<방자전> 속에 투영된 문학적 양상과 의미
Literary Aspects Projected in the <Bangjajeon> and Meaning
0
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
A movie titled <Bangjajeon> is controversial in many aspects. However, the meaning <Bangjajeon> gives to us is special. First, it can work as a chance to recognize the value of a classical epic novel in an aspect of succession of the tradition of <Chunhyangjeon>. For it is expected that <Bangjajeon> which was reinterpreted in a modern perspective can work as a stimulus which connects the past with the present. Under such possibility, this study aims to speculate literary aspects of <Bangjajeon> and its value as a modern variation of <Chunhyangjeon>. In conclusion, the literary aspects and meaning of <Chunhyangjeon>were found in the followings: First, distorted and marketed sex, moral insensitivity in sex, that is discourses on sex is described. However,sex in <Bangjajeon> is extremely narrow-minded and unilateral. There is no positive sex anywhere in <Bangjajeon>. It is distorted, obsessive or consumptive. In addition, all the aspects on sex were not seriously dealt with and no discussion on sex was presented in it. <Bangjajeon> presents problems in the present sex culture while dealing with consumptive sex culture which is appearing as a fun and moral insensitivity which is not presented as a critical mind or a progressive reason. Second, the love in it in is involved in ambitions for success and fetishistic love. Characters in <Bangjajeon> are full of ambitions for success. In particular, Chunhyang and Mongryong' were very ambitious. They were much obsessed with and fever for their desires. Third, human duality is described. Humans are double as they are not complete. However, acquired consciousness of moral works as standards of behaviors and controls duality of the god and the evil. However, it did not work properly, in particular, in case of desire and obsession. In the code of <Bangjajeon>, such human duality is well melted. It means that it presents a problem of human duality actively. As seen above, <Bangjajeon> was more fetishistic and commercialized,and describes love as a means of success. However, it makes us moved through Bangja who shows infinite love to Chunhyang as it is out of ambitious life. It seems that it considers pure love in <Chunhyangjeon> as having a permanent value in this materialized world. So, <Bangjajeon> can have a new value as a modern variation of <Chunhyangjeon>. In addition,<Bangjajeon> is meaningful in that it makes us be newly aware of the value of the classic epic novel.
Abstract
A movie titled <Bangjajeon> is controversial in many aspects. However, the meaning <Bangjajeon> gives to us is special. First, it can work as a chance to recognize the value of a classical epic novel in an aspect of succession of the tradition of <Chunhyangjeon>. For it is expected that <Bangjajeon> which was reinterpreted in a modern perspective can work as a stimulus which connects the past with the present. Under such possibility, this study aims to speculate literary aspects of <Bangjajeon> and its value as a modern variation of <Chunhyangjeon>. In conclusion, the literary aspects and meaning of <Chunhyangjeon>were found in the followings: First, distorted and marketed sex, moral insensitivity in sex, that is discourses on sex is described. However,sex in <Bangjajeon> is extremely narrow-minded and unilateral. There is no positive sex anywhere in <Bangjajeon>. It is distorted, obsessive or consumptive. In addition, all the aspects on sex were not seriously dealt with and no discussion on sex was presented in it. <Bangjajeon> presents problems in the present sex culture while dealing with consumptive sex culture which is appearing as a fun and moral insensitivity which is not presented as a critical mind or a progressive reason. Second, the love in it in is involved in ambitions for success and fetishistic love. Characters in <Bangjajeon> are full of ambitions for success. In particular, Chunhyang and Mongryong' were very ambitious. They were much obsessed with and fever for their desires. Third, human duality is described. Humans are double as they are not complete. However, acquired consciousness of moral works as standards of behaviors and controls duality of the god and the evil. However, it did not work properly, in particular, in case of desire and obsession. In the code of <Bangjajeon>, such human duality is well melted. It means that it presents a problem of human duality actively. As seen above, <Bangjajeon> was more fetishistic and commercialized,and describes love as a means of success. However, it makes us moved through Bangja who shows infinite love to Chunhyang as it is out of ambitious life. It seems that it considers pure love in <Chunhyangjeon> as having a permanent value in this materialized world. So, <Bangjajeon> can have a new value as a modern variation of <Chunhyangjeon>. In addition,<Bangjajeon> is meaningful in that it makes us be newly aware of the value of the classic epic novel.
참고문헌 (9)
- 김대우, "방자전" (2010), 시오필름(주)
- "완판본, <열녀춘향수절가> 84장본", ~
- 강명관, "한시와 패러디", 동양한문학연구, 11, pp.19~45 (1997), 동양한문학회
- 강상순, "전기소설적 애정 서사의 변주 혹은 패러디에 대한 일고찰", 국제어문, (4), pp.29~38 (2007), 국제어문학회
- 권순긍, "고전소설의 영화화-1960년대 이후 <춘향전> 영화를 중심으로", 고소설연구, (23), pp.177~206 (2007), 한국고소설학회
- 손정희, "영화「방자전」의 해체적 글쓰기 전략", 한국문예창작, 9(3), pp.219~243 (2010), 한국문예창작학회
- 이명현, "문화콘텐츠 스토리텔링 소재로서 고전서사의 가치", 우리문학연구, 25(25), pp.95~124 (2008), 우리문학회
- 정출헌, "고전소설의 ‘천편일률’을 패러디의 관점에서 읽는 법―전기소설 『금오신화』와 『오유란전』을 중심으로", 국제어문, (38), pp.35~63 (2006), 국제어문학회
- 조희문, "한국 고전소설 <춘향전>의 영화화 과정", 국제학술대회 논문집, pp.65~67 (2006), 반교어문학회․호남사범대학