南圃 金萬英의 隱逸 양상 - 『南圃集』 한시를 중심으로 -

Abstract

This article examines the creative trend of Chinese poetry and its inner consciousness, silver-day pattern, centering on the Chinese poetry of Nampo Kim Man-young, who was active in Naju, Jeollanam-do in the 17th century. Nampo had a high academic reputation to be praised as the best adult of Neo-Confucianism in Honam, but he was not immersed in Zhu Xi’s thoughts, took an open attitude to various studies, and further overcame Zhu Xi’s studies through an independent thought process. However, his life claims to be a scholar who hides in nature by avoiding reality rather than actively responding to reality, and as his ancestors advocate silver work, he shows a silver-day-oriented aspect in his inner consciousness and presents poetry creation. Nampo’s Chinese poetry was aimed at conveying the contents of one’s feelings rather than rhetoric or formal techniques. Five letters Chinese poems expressed its inner consciousness and society’s problems through the contents-oriented description of natural objects, seven letters Chinese poem created Chinese poems using various materials such as society and institutions beyond nature and increased its ability to pursue and express diversity through various forms of Chinese poetry. Live in seclusion is one of the passive ways to deal with reality, but it is a way to protect yourself in a chaotic world. Nampo’s Chinese poetry expresses silver work as a direction of life and a theme consciousness of poetry creation because the world does not match its will and does not seem to change even if it unfolds its abilities.