박용철 시 연구

Abstract

Park Yong-chul’s early poetry represent trends of Romanticism. These works are written before his practice of critique regularized, most of them have emotional reaction based on gloomy colony generation. Poetic speaker shows us consciousness escaping or wandering from reality strongly. This attitude about Romanticism makes two opposite composition in his poems like inside versus outside and lightness versus darkness. The approach to lightness except darkness gives opportunity depriving experiential concreteness and getting dualism to be calm and yearn. In that point, Park Yong chul’s early works maintain these view: They are realizing romanticism point efficiently before his idea completed about a lyric and failing to reach his own poetics because of sentiment and longing. And he changes his romantic poetry to an aestheticism. This combination with aiming to aestheticism and romanticism effect the most crucial defect to make his poems mature. Although his works are based on negative age under the Japanese control, he regard it as a prior condition not a experiential embodiment. It disturbs art’s intention both to realize reality and beauty. Therefore, he is only anxious to include prior condition without experiential embodiment. In conclusion, he cannot but miss the sympathetic depth and aesthetic completion that can be completed with experiential embodiment.