『靑鹿集』에 함축된 도가적 상상력 연구

Abstract

This study aimed at analyzing Cheongrokjip with Taoistic imaginationand explaining its characteristics. Poems of Park, mokwol⋅Jo, jihoon⋅Park, doojin, who are called as Cheongrokpa, in common have aim will tobe united with the nature, an ideal world, escaping from the keen criticismon the tragic reality. Poems of Park, mokwol and Ji, jihoon have muchsimilarity in expressing type in respect of being indirect and implicative,and in case of Park, doojin, his poems are somewhat different in respect ofbeing relatively bold and passionate, however, they show mostly similaraspect emotionally. Particularly, the process of aiming at the nature, an idealworld, starting from the recognition on the reality, is formed with almostsimilar pattern. When it is integrated this from the viewpoint of Taoistimagination, it can be displayed in diagram form as follows. [표] Hereupon, recognition on the reality develops with the introspection andcriticism of suppressed reality by Japanese colonial policy, i.e. the irrationalphenomenon where the natural order was destroyed. Change volitionbecomes transcendence will to escape from the tragic reality, and therecognition on ideal world is the ultimate world where one has reachedthrough transcendence will. This place is the point of idle nature of whichsocial order was recovered, which had been destroyed artificially, whichwere embodied mainly as 'sky' and 'mountain' in the poems. To view fromTaoistic thinking, sky is the origin of Tao, the highest ideal, and mountainis the ground holy place( ) which is the most close 聖所 to the sky, which isthe highest and concrete natural space where human can reach. This way,this research again could confirm the reason why they are called as'Cheongrokpa' in regard of their awareness system that pursuedself-realization together through their poems in the dark ages of lateJapanese imperialism, particularly in the aspect that their Taoisticimagination almost coincided.