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Abstract

This paper is to study two major■■Si-mun-hak■■school poets, Kim Young-rang 김영랑 and Park Yong-chul 박용철, who take important positions in the history of Korean Poetry. It is noticeable that they both are from Honam and study together in Seoul and Yomiuri Institute, Japan. Thus we can say that they compose pure poems under the base of mutual emotional bondage. They publish monumental poems in the history of Korean poems just after and before the first publication of Si-mun-hak, and this process we can notice friendship and close literary bondage between them. Both of them are composers of pure poems, however, a close examination indicates that they have their own independent characteristics. Though Kim Young-rang starts from a composer of pure poems, small notices could be found that he accepts historical consciousness, awareness of the contemporary situation, and ethnic emotion. On the contrary Park Yong-chul is romantic and mostly publishes melancholy poems, which shows that he is under the influence of Kierkegaard, a Danish philosopher. This melancholy sense demonstrates his poetic colour, to stick with pure poems due to the lack of present situation. Park Yong-chul, a scholar of German Literature, is different from Kim Young-rang who wants to concretize the world of folklore and ethnic emotion; Park Yong-chul is interested in the current of the poems worldwide, is deeply embedded in romantic world, and attempts to revitalize the poems in his own way.