송욱 시에 나타난 '신체적 주체'의 의미 고찰

Abstract

This paper aims to explore the meaning of ‘Body-Subject’ and to gain an insight into itself appeared in the poems of Wook Song especially focused on his 3rd collection of poems Wol-Jung-Ga. This paper shows how the poetic significances which are described in a collection of poems Wol-Jung-Ga can be connected with Merleau-Pontys’ ‘Body-Subject’ discussions appeared in Wook Song’s essays of criticism ‘Threshing of Civilization’. The process how the concept of ‘Body-Subject’ shown in Wol-Jung-Ga is getting into shape is studied in three aspects such as the image of Body, the image of Other and last, the image of Touch. Those of three aspects are; First, Body-image in Wook Song’s poems connotes the meaning of body subjectivity which is described as <Thinking of Body> or <Body of Thinking> in Merleau-Pontys. The second thing, Other-image. This is a poetic take-shape against from another’s eye and comes from a viewpoint saying that Subject is tried to be found among action & re-action between Subject and Other. Thirdly, Touch-image means re-organization of the relationship between Subject and Other as consensus and symbiosis as a viewpoint of Mutual Subjectivity. As mentioned above, at the basis of perception and reconsideration of modern age, Wook Song’s poetic take-shape makes his new grope for Subject worth being significant.