金丘庸 詩의 ‘몸’ 이미지와 불교 意識

Abstract

In this paper, I look into the body images, which appeare in Kim Gu Young's poem. This mainly pays attention to that there are many signs on the body, and the body in Kim Gu Young's poems means the body that ultimately dreams for the condition of Buddhist in the present state. Therefore, the present state is a place for training, and a poem is situated as a media of its realization. For this reason, the relations between reality and poet, and between the poet and poem form a network of mutual reflection just like the net of Indra and move toward the internal order for the Buddhist truth. In this process, the body is shown as a form of imprisonment, deformity, and Tantrism. The imprisonment has dual values such as oppression and creation. In other words, even though all the conditions of reality surrounding the poet works as an oppressive mechanism, the poet or the law of Buddha that he or she wants to be imprisoned works as a mechanism of creation. While the deformity represents the imperfection of the present situation and human being, truth-represented deformity rather emphasizes perfection through the technique of paradoxical denial. The desire reaches the unity of Tantrism by being embedded as a form of eroticism. In this manner, the body shown in Kim Gu Young's poems makes an incident by organically and mutually penetrating with a society, based the body on 'Karma‘. However, despite the various corresponding methods of the body, the concluding point to the Buddhist outlook functions as a limit to some extent, and the philosophical thoughts of the Orient and the Occident that are sometimes met by pieces in the reading of the poems can be a factor of profundity. Although the conclusion toward profundity and Buddhist outlook makes readers feel difficult to approach him, the justified position is possible when the whole research is completed.