김종삼 시집 『십이음계』의 위상과 의미

Abstract

The characteristics of Kim Jong Sam's poems are that there are many adaptations and recollections. Kim Jong-sam's collection, published in 2018, suggests the approach to the poetry by constructing it in consideration of the characteristics of Kim Jong-sam. One of them is the poet's personal poetry. Although it was difficult to grasp the reality of individual poetry in the previous collections, it was configured to facilitate the analysis of poetry units. Personal poetry is not merely a collection of works, but a composition created by the poet's selection, exclusion, and arrangement. Thus, in the context of poetry, individual psalms have another meaning. Nevertheless, relatively little research has been conducted on poetry. This paper first focused on Kim Jong-sam's first poem, “Twelve scales.” In Kim's poems, music is a key element, and “twelve scales” are directly related to this poem. The 12th scale is a concept directly related to the 12th technique created by Schoenberg, so I approached it with his theory. Kim Jong Sam actively embraced Schoenberg's theory in the “Twelve scales” and showed the process of overcoming the limits of music through poetry by reversing the relationship between music and poetry. If set, the poetry shows that music is developing the area of poetry.