和歌の恋歌における植物歌材の位相について －三代集を中心に－

Abstract

In this study, we analyzed the plant poems written in love in the trilogy of tanka poem. Thus, it is possible to interpret the development process of original work as a plant material in a love song different from that of the seasonal song, and to highlight the plant group of love which is largely separated from the plant representing the seasonal feeling. It became clearer in comparison with the materials used only in the “Kokin” waka poetry collection. First of all, the representative plants of the season, which express a sense of the season, are not liked by the song.Even if they are sung, they tend to use place-name-related pillows to give personnel priority. Since ancient times, many songs have been sung for practical purposes, such as those that are closely related and familiar with life. As a material for rhetoric, songs by writers such as pillows, prepositions, and adverbs tend to have developed and fixed. The core of this book is the possibility of developing into a wide range of singing languages.