시마자키 도손 <복숭아 물방물
Regarding Shimazaki Toson’s Dew of a Peach -From Within the Walls to Outside the Walls-
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
本稿は6番目の最後の感想集“桃の雫”(1936)を通じて1930年代の藤村意識を考察し、老年の精神世界を探ってみようとした。藤村の場合、1916年にフランスから帰国した後、家族に忠実で20年代まで屋内に集中している姿を見せるが、子どもたちが成長して独立し始めた1930年ごろから屋外へ出てきた以来、新しい“外部的な生”が始まったことが分かる。対外活動が始まると、私と子どもの安危から脱し、国家と国民を心配する“社会的指導者の面貌”を見せたり、周辺との調和と和合が必要であることを述べ、ひいては開かれた心で全世界に開放しなければならないという“汎世界的な認識”も見せた。このように“桃の鈴”は1930年代,屋内から屋外へ進んだ藤村の外エネルギーが最もよく表現された作品だった。以後,“巡礼”(1940)と最後の作品である“東方の門”(1943)にも受容と調和という開かれた意識が相変わらず続いていた。 本稿を通じて“桃の雫”の位相を再照明することができた。要するに“桃の雫”は老年の全般的な意識世界を確立した作品として晩年の生と作品を解明する新しい基準になければならない。
Abstract
This study explores how the mind functions in late adulthood by examining the change in Toson’s consciousness during the 1930s using “Dew of a Peach” (1936), his sixth and last miscellany. After Toson focused on the life within the walls including himself and his family between his return from France in 1916 and the late 1920, he started “life outside the walls” in the 1930s as his children became older and increasingly independent. As he became more socially engaged, he revealed his devotion to being a “public leader”, concerned with the country and people beyond the immediate concerns of the safety and comfort of himself and his children. He also demonstrated his “globalist consciousness” in arguing for harmony with neighboring countries and Japan’s opening up to the world. “Dew of a Peach” clearly demonstrates Toson’s externally-oriented energy in the 1930s through his transformation from “within the walls to outside the walls”. His later works, “Pilgrimage” (1940) and “Gate to the East” (1943) maintain his orientation toward openness for acceptance of and harmony with the world outside. This study reexamines the status of “Dew of a Peach” in the literature and concludes that the work establishes elderly consciousness and should become a new standard in elucidating the life and the work of late adulthood.
참고문헌 (19)
- 島崎藤村, "藤村全集" (1971), 筑摩書房
- 김남경, "시마자키 도손(島崎藤村)의 인생철학 -『복숭아 물방울(桃の雫)』의 아포리즘을 중심으로-", 日本學硏究, 28, pp.271~292 (2009), 일본연구소
- 노영희, "시마자키 도손-고향과 아버지의 문학적 형상화-", pp.80~85 (1995), 건국대학교출판부
- 시마자키 도손, "힘내기 떡", pp.3~180 (2013), 제이엔씨
- 이지형, "관동대지진과 시마자키 도손(島崎藤村) ―아들에게 보내는 편지(子に送る手紙) 를 중심으로―", 일본문화연구, (13), pp.91~114 (2005), 동아시아일본학회
- 일본사학회, "아틀라스 일본사", pp.178~179 (2011), 사계절
- 이현옥, "『동방의 문 』 고찰-근대성을 중심으로-", 일본학보, (60), pp.439~456 (2004), 한국일본학회
- 천선미, "시마자키 도손의 「幼き日(어린 시절)」론 - 새로운 문학적 소재의 발견 -", 일본언어문화, (31), pp.357~372 (2015), 한국일본언어문화학회[DOI]
- 천선미, "시마자키 도손(島崎藤村)의 「식당(食堂)」론 - 노년의 수용-", 日本文化學報, (79), pp.211~225 (2018), 한국일본문화학회[DOI]
- 有島生馬, "月報", 藤村全集, (13), pp.2~ (1971), 筑摩書房
- 伊東一夫, "島崎藤村事典", pp.453~ (1982), 明治書院
- 柄目美香, "藤村の中の魯迅--巡礼から東方の門へ", 宮城学院女子大学大学院人文学会誌, (7), pp.13~23 (2006)
- 金貞恵, "巡礼のナショナリズム的解釈の可能性", 島崎藤村研究, (31), pp.24~32 (2003), 双文社出版
- 實方淸, "島崎藤村 文藝辭典", pp.65~ (1980), 淸水弘文堂
- 山室静, "月報", 藤村全集, (9), pp.1967~ (1959), 筑摩書房
- 高橋昌子, "島崎藤村 遠いまなざし", pp.201~202 (1994), 和泉書院
- 中山弘明, "「嵐」の機能―方法としての<老い>", 早稲田大学大学院文学研究科紀要別冊, (16), pp.29~ (1990), 早稲田大学大学院文学研究所
- 文明論的な考察, "島崎藤村", pp.2000, 平林一
- 山室静, "国文学解釈と鑑賞", pp.76~ (1966), 至文堂
