鄕歌 記述 양상에 관한 비교 연구 - 萬葉和歌와 비교를 통해 -

Abstract

East Asian three countries, namely China, Korea, and Japan, were having their culture blooming around 6-7C. Based on the same cultural background such as Chinese character, Buddhism. and confucianism. As a result of these cultural atmosphere, they keenly had been thinking about their own identity as a cultural beings so that they finally had made their own wrting system which had lead them to wrtie down their orally transmitted literature. It shows a great challenge in the respects of that they pursue uniqueness out of general ideas of culture and literature. It could be called as modern of ancient in terms of their consciousness of self being. It had expressed as Hyangchal and Manyogana which was created by the concept of that one's own literature should be written it's own language, because of the magic power of words. Description of song in their unique writing system had been affected to bring out from and meaning of literature. First of all, it was expressed as the combination of songs and stories which was describing origins or singer of the songs. Also, it could be regarded as a sprites of tradition and renovation. As a respects of form, Manyowaka had been gained standardization followed by natural stanza and follow of Japanese such as 5.7.7. However, Korean Hayangga was slightly different from Japanese waka in terms of writing rules and method. Therefore, Hyangga had gained unique pattern like three meaningful paragraph and exclamation words at the end. These process of finding distinct features of forms might be supporting the idea that even though two countries, Korea and Japan, had been existed under the umbrella of Chinese, they had an effort to build identity and specialty of culture.