강릉단오굿 무가에 나타난 제의성과 놀이성의 조화

Abstract

This article contemplates the harmony of the ritual feature and play feature appearing in the muga (singing and dancing) of Gangreung Dano-gut. The ritual feature displays the innate purpose of a gut (shaman ceremony) that conceptualizes the gut existed as the ritual ceremony, while the play feature conceptualizes the appearance of play held in the gut. In this article, the muga of <Bujeong-gut> and <Cheongza-gut> has seen from the general muga of Gangreung Dano-gut, and the lyrical muga takes a look at <Saejon-gut> while the drama muga takes a look at <Doriganggwanwon-nori>. The general muga emphasizes the ritual feature while the lyrical muga combines the ritual feature and play feature, and the drama muga tends to emphasize the play feature. The muga of Gangreung Dano-gut facilitates the ritual feature and play feature by appropriate allocation and it is displayed differently depending on general muga, lyrical muga and drama muga. The muga of Gangreung Dano-gut displays differently for the degree of ritual feature and play feature for each branch of the muga. Under such flow, the muga of Gangreung Dano-gut shows the common features of muga in other regions of Korea as well as differentiation from the other regions as well. In the future, it is expected to publish certain outcome that surveys and arranges the complete version of the muga of Gangreung Dano-gut since the values contained in the muga of Gangreung Dano-gut is hoped to be broadly known throughout. Together with this issue, it is hoped to structure the archive of Gangreung Dano-gut to be acknowledged as the digital heritage.