〈세한도〉 제재 시에 나타난 공간 연구

Abstract

<Sehando> has been praised by literary artists as a representative literary painting in Korea since the late Joseon. In particular, poets wrote poems inspired by both <Sehando> and Chusa Kim Jeong-hee. The poems written by the poet about <Sehando> or Chusa are shown differently, depending on the space. When the space of poetry was set in the painting of <Sehando>, the poet described it by focusing on the elements of the painting. The poet understood the space shown in <Sehando> as formed by Chusa's imagination, and paid attention to the symbols contained in the painting. At this time, poetry appears as a pattern in which pictures are transferred to literature. If the space in which <Sehando> was created is set as the background of the poem, the speaker is Chusa, and the space becomes the exile, Daejeong in Jeju island. The poet's imagination sampled human emotions through a human named Chusa based on history. The poet chose a method to show Chusa's humanity and reinterpreted the human aspect, personality, and subjectivity of Chusa in a limited space called exile. In the case of the space where he felt <Sehando>, the space where the speaker is located is completely different from the space of <Sehando>, but he overlapped the two spaces by finding the commonality between <Sehando> and the space where he is located. At this time, two spaces become a kind of huge metaphor, which means the former becomes the original idea, and the latter becomes the auxiliary idea. Like this, the space made the poet empathize with <Sehando> in various ways. In the process of creating poetry, the poet's imagination, the contact point between history and individuals, and the overlap of space made literary effects.