문헌을 통해서 본 중국 中元節의 민속화

Abstract

Based on the Mokryun Mythology, the Buddhist WulanBunjeol was reborn as a Chinese style folk culture called Zhongwenjeol by merging the unique Taoist Samwon Thought and Confucian filial ideas and folk customs. From the literature, the period-specific Jungwonjeol gradually changed from Buddhist events to folklore observed in the private sector. Jungwonjeol, which appeared during the early years of the early Joseon Dynasty and the early Joseon Dynasty, is based on the Uranian view of Buddhism, but its name was borrowed from Taoist history. In other words, from the early days of the establishment, customs such as Buddhism and Taoism, Confucianism and folk belief and ancestor worship were fused to include folk elements closely related to the lives of the people. This was the basis for folklore during the Middle Ages, and in the Middle Ages, various forms of folklore and commercialization were displayed as a result of the emergence of a recreational and festive personality, moving away from religious colors. In recent times, large-scale events, such as a ritual, agar, and lion dance, a folk game, and cricket fighting, were featured, showing a transformation into a more festive and supplemented folklore than in the Middle Ages. In this paper, the meaning and characteristics of the Chinese Mid-Autumn Festival were identified and its folk paintings were reviewed through the records of Jungwonjeol, such as 荊楚歲時記 東京夢華錄 初學記 歲華紀麗譜 熙朝樂事 and others.