1970년대 한국여성시문학사 연구

Abstract

If we define the 1970s as the diverging point of women's literature, it will be discussed in the light of ‘post-feminism literature’. By intensifying the experience of the times caught in the delicate antenna in the common sympathy, this tendency lead to disrupting the prejudice against ‘the sentimentality of women’ or ‘womanly mystery’. Thus, it naturally defied and got rid of , what is called, the premium of the woman writer. The critical reflection and the pleasure of intelligence-Kim Seung hee, the nature-oriented image-Noh Hwang rym, the variation of lofty virtues and lyricism-Shin Dal ja, the pessimistic will and intelligent metaphor-Kang Eun kyo, the escape of daily life and self-disclosure-Choi Seung ja, the pray of love and eagerness-Yi Hae inn. The characteristic of poetry above mentioned indicates that the women's poetry in the 1970s triggered t! he fertile compost and the full bloom of variety in the 1980s.