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Masculine Representation in South Korean Cinema

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주제분류영화

초록

A number of contemporary South Korean films are dominated by the image of male heroism. On the contrary, women are marginalised and absent from the narrative in those films. Therefore, this paper explores masculinity in relation to trauma theory in contemporary South Korean cinema. In so doing, it illustrates to male protagonists are suffering from their traumatic experiences. In other words, this hysterical masculinity shows the masculine crisis. I draw to a close by mentioning the answers that I explore by discussing this study which is male hysteria in popular South Korean cinema. I conclude what I examine the dynamics of this traumatic masculinity throughout this paper begins with an understanding of the definition of trauma, and the unique situation of social contexts that has surrounded films since the late 1990s. For the purposes of this study, I have limited the discussion to films since that period. Then, I suggest that contemporary South Korean cinema focuses on masculinity, especially traumatic masculinity.

Abstract

A number of contemporary South Korean films are dominated by the image of male heroism. On the contrary, women are marginalised and absent from the narrative in those films. Therefore, this paper explores masculinity in relation to trauma theory in contemporary South Korean cinema. In so doing, it illustrates to male protagonists are suffering from their traumatic experiences. In other words, this hysterical masculinity shows the masculine crisis. I draw to a close by mentioning the answers that I explore by discussing this study which is male hysteria in popular South Korean cinema. I conclude what I examine the dynamics of this traumatic masculinity throughout this paper begins with an understanding of the definition of trauma, and the unique situation of social contexts that has surrounded films since the late 1990s. For the purposes of this study, I have limited the discussion to films since that period. Then, I suggest that contemporary South Korean cinema focuses on masculinity, especially traumatic masculinity.

참고문헌 (20)

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  2. Berger, James, "Trauma and Literary Theory", Contemporary Literature, 38(3), pp.569~582 (1997)
  3. Bourdieu, Pierre, "Outline of a Theory of Practice" (1977), Cambridge University Press
  4. Brittan, Arthur, "Masculinity and Power" (1989), Basil Blackwell
  5. Caruth, Cathy, "Unclaimed Experience : Trauma, Narrative, and History" (1996), MD
  6. Connell, R.W., "Masculinities" (1995), University of California Press
  7. Demos, J., "Father and Child: Developmental and Clinical Perspectives" (1982), Little, Brown
  8. Freud, Sigmund, "A General Introduction to Psycho-Analysis" (1964), Washington Square Press
  9. Freud, Sigmund, "The complete psychological works of Sigmund Freud (Vol. XI)" (1973), Hogarth Press
  10. Greenberg, Judith, "The Echo of Trauma and the Trauma of Echo", American Imago, 55(3), pp.319~349 (1998)
  11. Hirsch, Joshua, "Afterimage : film, trauma, and the Holocaust" (2004), Temple University Press
  12. 황혜진, "새로운 남성 정체성의 모색, 가능성과 한계 - <라디오 스타>와 <즐거운 인생>을 중심으로 -", 한국콘텐츠학회 논문지, 8(12), pp.131~140 (2008), 한국콘텐츠학회
  13. 주유신, "한국 영화의 성적 재현에 대한 연구 : 세기 전환기의 텍스트들을 중심으로", 박사, 영화이론, pp.2004
  14. Kim, Seung-kyung, "Confucian Patriarchy Reexamined:Korean Families and the IMF Economic Crisis", The Good Society, 11(3), pp.43~49 (2002)
  15. "Korean Film Council"[URL]
  16. Laplanche, Jean, "The Language of Psycho-Analysis" (1973), W. W. Norton
  17. 문재철, "영화적 기억과 문화적 정체성에 대한 연구 : Post-Korean New Wave Cinema를 중심으로", 박사, 영화이론, pp.2002
  18. Silverman, Kaja, "Male Subjectivity at the Margins" (1993), Routledge
  19. Spicer, Andrew, "Typical Men : The Representation of Masculinity in Popular British Cinema" (2001), IB Tauris Publishers
  20. Turim, Maureen, "Flashbacks in Film : Memory and History" (1989), Routledge

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