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Poetic Writing out of Archetypical Imagination
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The purpose of this study is to investigate Seamus Heaney's texts in terms of material and archetypical images of Gaston Bachelard's poetics. Jungian terms, anima and animus can be discovered in Heaney's poems. Anima is represented in repose of the feminine, gentleness, slowness and peace. Animus relates to adjectives such as active, clairvoyant, prudent, audacious and complex. In his poems, historical facts and political situations include the attributes of anima while usual space and repetition include the attributes of animus. Furthermore, each lively image and calm image can be extracted from material poetic objects. Bachelard's intimacy that concentrates on an images itself, his dynamism that makes poetical imagination combinate opposed images as well as his coexistence that happens to interact and interconnect with images, are considered remarkable in Heaney's early poems. “Dialectics of outside and inside” and “Every being seems in itself round” stated by Bachelard, can be connected with Heaney's poetic images. It is obvious that Heaney projects his poetic space onto the embodiments of material imagination and phenomenological images.
Abstract
The purpose of this study is to investigate Seamus Heaney's texts in terms of material and archetypical images of Gaston Bachelard's poetics. Jungian terms, anima and animus can be discovered in Heaney's poems. Anima is represented in repose of the feminine, gentleness, slowness and peace. Animus relates to adjectives such as active, clairvoyant, prudent, audacious and complex. In his poems, historical facts and political situations include the attributes of anima while usual space and repetition include the attributes of animus. Furthermore, each lively image and calm image can be extracted from material poetic objects. Bachelard's intimacy that concentrates on an images itself, his dynamism that makes poetical imagination combinate opposed images as well as his coexistence that happens to interact and interconnect with images, are considered remarkable in Heaney's early poems. “Dialectics of outside and inside” and “Every being seems in itself round” stated by Bachelard, can be connected with Heaney's poetic images. It is obvious that Heaney projects his poetic space onto the embodiments of material imagination and phenomenological images.
참고문헌 (20)
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