1949-1976 중국 시와 정치의 관계

Abstract

The Relationship between Chinese Politics and Poetry in 1949-1976 Kim, Yong-woon Having been established ‘People’s Republic of China’, Chinese poetry went to accept Maoism with acculturation of ‘peace tradition’ but criticised other trends. Since poetry was becoming a measure of power, it was required to disuse humanism in the poetry from 1949 to 1976. However, not only brought this trend many victims but the poetry itself had to struggle to search the safety zone of politics. This pattern of Chinese poetry caused by Korean War. With focusing details, not abiding forming reflection of reality, the trend which spread the cult of personality to minority races passed several stages up to the enthusiasm of fake religion; the poetry of The Red Guard. If the Hu Feng’ Counter-Revolution is a political work for expanding the trend, however, Hundred Flowers Campaign and Counter-Right were the result that disappointed by Maoist to the intellectual stayed out of the party. The Great Leap Forward & The New folk song which created by Labour Soldiers were not successful either. These poetry which failed to grasp what the Power went to the safety zone; exaggeration of reality or exaggeration of ego, instead of criticising economism in the party. Even though the Red Guard recognized the exact target of politics, the too much passion of politics caused indiscreet violence which led the economism into destruction. As a result that, the poetry became impoverished.