마르셀 프루스트의 상상적 회화: 문체의 창조
Imaginary paintings of Marcel Proust: a Creation of Style
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초록
In Search of Lost Time by Marcel Proust contains various artistic techniques. Specifically the technique of paintings plays an important role in forming one of unique aspects of Proustian writing, namely "style". Proust compared style to color and observed that style for the writer, no less than color for the painter, is a question not of technique but of vision. Proustian style is embodied in his writing as a technique of paintings used by Impressionist painters. For Proust, Impressionist painters were guides who introduced him to the realm of beauty and truth. He learned from them a way to recognize the magical power in tedious realities which transforms ordinary things into something else in beauty in an imperceptible way. Elstir, a fictional painter in his novel, achieves the impressionist technique in his paintings, especially The Port of Carquethuit. I analyse Elstir's imaginary paintings in terms of pictorial writing, which is a product of the creation of style.
Abstract
In Search of Lost Time by Marcel Proust contains various artistic techniques. Specifically the technique of paintings plays an important role in forming one of unique aspects of Proustian writing, namely "style". Proust compared style to color and observed that style for the writer, no less than color for the painter, is a question not of technique but of vision. Proustian style is embodied in his writing as a technique of paintings used by Impressionist painters. For Proust, Impressionist painters were guides who introduced him to the realm of beauty and truth. He learned from them a way to recognize the magical power in tedious realities which transforms ordinary things into something else in beauty in an imperceptible way. Elstir, a fictional painter in his novel, achieves the impressionist technique in his paintings, especially The Port of Carquethuit. I analyse Elstir's imaginary paintings in terms of pictorial writing, which is a product of the creation of style.
참고문헌 (12)
- André Maurois, "A la recherche de Marcel Proust" (1949), Hachette
- Daniel Bergez, "Littérature et peinture" (2004), Armand Colin
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- Gérard Genette, "Figures Ⅰ" (1966), Seuil
- Jean_François Lyotard, "Discours" (1971), Édition Klincksieck
- John Ruskin, "Les Peintres Modernes" (1964), Garnier
- Marcel Proust, "A la recherche du temps perdu" (1989), Édition publiée sous la direction de Jean-Yves Tadié
- Samuel Beckett, "Proust" (1931), Grove Press INC
- Taeko Uenishi, "Le style de Proust et la peinture" (1988), SEDES
- Yann Le Pichon, "Le musée retrouve de Marcel Proust" (1990), Stock
- Eric Karpeles, "그림과 함께 읽는 잃어버린 시절을 찾아서" (2008), 까치
- Maurice Serullaz, "인상주의" (1991), 열화당