松隱 安昌濟의 挽詩에 나타난 ‘在滿’ 유림의 표상

Abstract

Song Eun Ahn-changje is a modern Confucian scholar from Uiryeong, Gyeongsangnam-do. In 1910, he moved to Manchuria with his family to avoid Japan's forced annexation. Ahn Chang-je, who lived there for 22 years, died there due to the chaos that occurred during the Manchurian Incident. Against this backdrop, the space of ‘Manchu’ became the center of his life and literature, and the genre that occupies the largest stake in his literature was "Requiem(挽詩)." In other words, Requiem was one of the important central axes of his poetry world. Most of the subjects of literature were Confucian scholars who migrated to Manchuria. A notable point is that the characters' origins and academic trends were not uniform. This soon contained one aspect of Korean Confucian scholars, who had been in conflict with each other for a long time, cooperated with each other in a space called Manchuria and also tried to promote the future together. His Requiem also revealed a very special literary color in terms of content, with most of Requiem's objects being "displaced" so their deaths he described were basically "died in a foreign land." However, Ahn Chang-je did not describe their lives and deaths only as the deaths of strangers who continued their lonely lives in this area. Their deaths were largely represented as ‘death of old subjects for fidelity, death of Confucian soldiers for independence, and death of Confucian people for pure learning’. In short, His Requiem had the characteristic of conveying the life and will of the deceased through concise and accurate terms rather than excessive praise. The work raises the need for an academic analysis of Requiem in the modern era.