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Wallace Thurman’s The Blacker the Berry: Loving Oneself Enough to Be Selfish

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This essay examines how Wallace Thurman envisions throug h Emma Lou a possibility of overcoming self-hatred and moving toward self-acceptance in his novel, The Blacker the Berry. Focusing on Emma Lou’s departure from Alva and his deformed son, this essay contends that her “selfish” act is the first step toward self-acceptance. Describing his dark-skinned protagonist’s pathetic attempts to belong to light-skinned people, Thurman mercilessly exposes and criticizes Emma Lou’s psychological contradictions. Simultaneously, however, Thurman sympathizes with and shows some respect for her endeavors to make a difference in her life. Emma Lou’s redemption from her self-hatred can come only when she realizes its detrimental effects on her life and learns to love herself enough to be selfish. By granting Emma Lou an opportunity to conduct a serious self-examination and resolve to sever ties with Alva, Thurman demonstrates a possibility of fighting against the color prejudice found both inside and outside oneself.

Abstract

This essay examines how Wallace Thurman envisions throug h Emma Lou a possibility of overcoming self-hatred and moving toward self-acceptance in his novel, The Blacker the Berry. Focusing on Emma Lou’s departure from Alva and his deformed son, this essay contends that her “selfish” act is the first step toward self-acceptance. Describing his dark-skinned protagonist’s pathetic attempts to belong to light-skinned people, Thurman mercilessly exposes and criticizes Emma Lou’s psychological contradictions. Simultaneously, however, Thurman sympathizes with and shows some respect for her endeavors to make a difference in her life. Emma Lou’s redemption from her self-hatred can come only when she realizes its detrimental effects on her life and learns to love herself enough to be selfish. By granting Emma Lou an opportunity to conduct a serious self-examination and resolve to sever ties with Alva, Thurman demonstrates a possibility of fighting against the color prejudice found both inside and outside oneself.

참고문헌 (17)

  1. Carter, Eunice Hunton, "Review of The Blacker the Berry", Opportunity, 7(5), pp.162~163 (1929)
  2. Doyle, Laura, "Bordering on the Body: The Racial Matrix of Modern Fiction and Culture" (1994), Oxford UP
  3. Du Bois, W.E.B, "Review of The Blacker the Berry, by Wallace Thurman", The Crisis, 36(7), pp.249~250 (1929)
  4. Gaither, Renoir W, "The Moment of Revision: A Reappraisal of Wallace Thurman’s Aesthetics in The Blacker the Berry and Infants of the Spring", College Language Association Journal, 37(1), pp.81~93 (1993)
  5. Galton, Francis, "Hereditary Genius: An Inquiry into Its Laws and Consequences" (1972), The World Publishing
  6. Ganter, Granville, "Decadence, Sexuality, and the Bohemian Vision of Wallace Thurman", MELUS, 28(2), pp.83~104 (2003)
  7. Haslam, Gerald, "Wallace Thurman: A Western Renaissance Man", Western American Literature, 6(1), pp.53~59 (1971)
  8. Henderson, Mae Gwendolyn, "Remembering the Harlem Renaissance", pp.289~312 (1996), Garland
  9. Hughes, Langston, "The Negro Artist and the Racial Mountain", The Nation, 122(3181), pp.692~694 (1926)
  10. Popple, Naomi, "Imagining Freedom in a Post-Emancipation ‘Pigmentocracy’:Wallace Thurman, Toni Morrison, and Tupac Shakur", Journal of Black Studies, 46(4), pp.404~414 (2015)
  11. Rampersad, Arnold, "Life of Langston Hughes: Volume I: 1902-1941, I, Too, Sing America" (2002), Oxford UP
  12. Rottenberg, Catherine, "Wallace Thurman’s ‘The Blacker the Berry’ and the Question of the Emancipatory", Mosaic: An Interdisciplinary Critical Journal, 46(4), pp.59~74 (2013)
  13. Samuels, Wilfred D, "Wallace Henry Thurman: A Utah Contributor to the Harlem Renaissance", Utah Historical Quarterly, 81(4), pp.345~367 (2013)
  14. Scott III, Daniel M, "Harlem Shadows: Re-Evaluating Wallace Thurman’s ‘The Blacker the Berry", MELUS, 29(3, pp.4) (2004), 323~339
  15. Thurman, Wallace, "The Blacker the Berry" (1996), Simon & Schuster
  16. Thurman, Wallace, "The Collected Writings of Wallace Thurman", pp.39~62 (2003), Rutgers UP
  17. Walden, Daniel, "The Harlem Renaissance Re-examined", pp.201~211 (1987), AMS

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