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Racism and Alienation: Deconstructing the Strong Black Woman in Langston Hughes’s “Cora Unashamed”

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Many African American critics have taken issue with Langston Hughes’s endorsement of transracial solidarity. The authorial demand to achieve affinity amongst the social minorities whose tribulations transcend cultural boundaries provoked black nationalists. This paper seeks to reappraise Hughes’s international and transracial ideals. The paper argues that African American suffering results from the larger forces of oppression that underpin capitalist reproduction. More specifically, it identifies the suffering as a ramification of the capitalist exploitation of labor power. Based on the close analysis of “Cora Unashamed,” this paper examines how the social oppression of black people historically functioned to alienate their humanity while rendering them receptive to harsh working environments. .

Abstract

Many African American critics have taken issue with Langston Hughes’s endorsement of transracial solidarity. The authorial demand to achieve affinity amongst the social minorities whose tribulations transcend cultural boundaries provoked black nationalists. This paper seeks to reappraise Hughes’s international and transracial ideals. The paper argues that African American suffering results from the larger forces of oppression that underpin capitalist reproduction. More specifically, it identifies the suffering as a ramification of the capitalist exploitation of labor power. Based on the close analysis of “Cora Unashamed,” this paper examines how the social oppression of black people historically functioned to alienate their humanity while rendering them receptive to harsh working environments. .

참고문헌 (16)

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  3. Beauboeuf-Lafontant, Tamara, "Behind the Mask of the Strong BlackWoman:Voice and the Embodiment of a Costly Performance" (2009), Temple UP
  4. Dawahare, Anthony, "Langston Hughes’s Radical Poetry and the ‘End of Race", MELUS, 23(3), pp.21~41 (1998)
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  6. Foucault, Michel, "The History of Sexuality, Volume 1: An Introduction" (1990), Vintage
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  8. Hughes, Langston, "The Ways of White Folks", pp.3~18 (1990), Vintage
  9. Laclau, Ernesto, "Politics and Ideology in Marxist Theory: Capitalism, Fascism, Populism" (1982), Verso
  10. Marx, Karl, "Alienation and Social Criticism", pp.24~27 (1994), Humanities P
  11. Marx, Karl, "Capital" (2008), Oxford UP
  12. Moglen, Seth, "Modernism in the Black Diaspora: Langston Hughes and the Broken Cubes of Picasso", Callaloo, 25(4), pp.1188~1205 (2002)
  13. Roediger, David R, "The Wages of Whiteness: Race and the Making of the American Working Class" (1991), Verso
  14. Spillers. Hortense J, "Mama’s Baby, Papa’s Maybe: An American Grammar Book", Diacritics, 17(2), pp.64~81 (1987)
  15. Westover, Jeff, "Africa", America: Fragmentation and Diaspora in the Work of Langston Hughes, 2002, pp.25(4), 1206~1223
  16. Williams, Eric, "Capitalism and Slavery" (2007), U of North Carolina P

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