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“I am not property”: An Examination of Race and Gender in Octavia Butler’s Kindred

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This paper aims to reveal how the fundamental assumptions informing race and gender issues in contemporary society have remained relatively unchanged by examining how such issues pervade Octavia Butler’s Kindred. By exploring the protagonist of the novel, Dana’s actions in her present (1976 Los Angeles) and the antebellum past in addition to her maternal ancestor, Alice’s actions, a clear picture of contemporary and antebellum views of race and gender is provided. Particularly interesting are the reactions of the characters to Dana’s and Alice’s interracial relationships and the circumstances on the Weylin plantation. By juxtaposing the two times, a deeper commentary on the lack of fundamental change in the present treatment of such issues is then revealed. Furthermore, a potential path to addressing this lack of change is suggested by Butler through Dana and Kevin’s successful interracial relationship.

Abstract

This paper aims to reveal how the fundamental assumptions informing race and gender issues in contemporary society have remained relatively unchanged by examining how such issues pervade Octavia Butler’s Kindred. By exploring the protagonist of the novel, Dana’s actions in her present (1976 Los Angeles) and the antebellum past in addition to her maternal ancestor, Alice’s actions, a clear picture of contemporary and antebellum views of race and gender is provided. Particularly interesting are the reactions of the characters to Dana’s and Alice’s interracial relationships and the circumstances on the Weylin plantation. By juxtaposing the two times, a deeper commentary on the lack of fundamental change in the present treatment of such issues is then revealed. Furthermore, a potential path to addressing this lack of change is suggested by Butler through Dana and Kevin’s successful interracial relationship.

참고문헌 (15)

  1. Allen, Anita L, "Women of Color and Philosophy: A Critical Reader", pp.182~205 (2000), Blackwell
  2. Beaulieu, Elizabeth Ann, "Black Women Writers and the American Neo-Slave Narrative: Femininity Unfettered" (1999), Greenwood
  3. Bergen, Raquel Kennedy, "National Resource Center on Domestic Violence, Pennsylvania Coalition Against Domestic Violence" (2006), National Resource Center
  4. Butler, Octavia E, "Kindred" (1979), Beacon Press
  5. "Bias, She Wrote" (2020)[URL]
  6. Dalmage, Heather M, "Tripping on the Color Line: Black-White Multiracial Families in a Racially Divided World" (2003), Rutgers UP
  7. Foster, Guy Mark, "Do I Look like Someone You Can Come Home to from Where You May Be Going?’: Re-Mapping Interracial Anxiety in Octavia Butler’s ‘Kindred", African American Review, 41(1), pp.143~164 (2007)
  8. Friend, Beverly, "Time Travel as a Feminist Didactic in Works by Phyllis Eisenstein, Marlys Millhiser, and Octavia Butler", Extrapolation, 23(1), pp.50~55 (1982)
  9. Haley, Alex, "Roots" (1976), Doubleday
  10. Lefanu, Sarah, "In the Chinks of the World Machine: Feminism and Science Fiction" (1988), Women’s Press
  11. Mitchell, Angelyn, "Not Enough of the Past: Feminist Revisions of Slavery in Octavia E. Butler’s ‘Kindred", Melus, 26(3), pp.51~75 (2001)
  12. Mulvey, Laura, "Visual and Other Pleasures", pp.14~26 (1989), Palgrave Macmillan
  13. Rowell, Charles H, "An Interview with Octavia E. Butler", Callaloo, 20(1), pp.47~66 (1997)
  14. Thomas, Sheree R, "Dark Matter: A Century of Speculative Fiction from the African Diaspora" (2014), Hachette
  15. Wharton, Amy S, "Gender Segregation in Private-Sector, Public-Sector, and Self-Employed Occupations, 1950-1981", Social Science Quarterly, 70(4), pp.923~940 (1989)

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