FOREIGN INFLUENCES ON AMERICAN CULTURE IN THE 20^(th) CENTURY
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The "Americanization" of the world is a myth. America's cultural relationships with other countries are not one-sided. Instead, the relationship is reciprocal. Americans have always depended on foreign ideas, talent, immigrants, and refugees to contribute to developments in American painting, architecture, music, and films. As a result, America's culture as been globally popular not because it turned the world into a replica of the United States, but because the United States is a replica of the world.
Abstract
The "Americanization" of the world is a myth. America's cultural relationships with other countries are not one-sided. Instead, the relationship is reciprocal. Americans have always depended on foreign ideas, talent, immigrants, and refugees to contribute to developments in American painting, architecture, music, and films. As a result, America's culture as been globally popular not because it turned the world into a replica of the United States, but because the United States is a replica of the world.
참고문헌 (22)
- Balio, Tino, "The Art Film Market in the New Hollywood, In Hollywood and Europe: Economics, Culture, National Identity", pp.1945~1995 (1998), London: British Film Institute
- Boggs, Carl, "A World in Chaos: Crisis and the Rise of Postmodern Cinema" (2003), Rowman and Littlefield
- Duignan, Peter, "The Rebirth of the West: The Americanization of the Democratic World", pp.1945~1958 (1992), Blackwell
- Giannetti,Louis, "Masters of the American Cinema" (1981), Prentice-Hall
- Gioia, Ted, "The Imperfect Art: Reflections on Jazz and Modern Culture" (1988), New York: Oxford University Press
- Grabbard, Krin, "Jammin’ at the Margins: Jazz and the American Cinema" (1996), Chicago: University of Chicago Press
- Haskell, Barbara, "The American Century: Art and Culture, 1900-1950" (1999), New York: Norton
- Hyland, William, "George Gershwin: A New Biography" (2003), Praeger
- Iwabuchi, Koichi, "From Western Gaze to Global Gaze: Japanese Cultural Presence in Asia, In Global Culture: Media, Arts, Policy, and Globalization" (2002), New York: Routledge
- Kabir,Nasreen, "Bollywood:The Indian Cinema Story" (2001), Channel 4 Books
- Kentgens-Craig, Margret, "The Bauhaus and America: First Contacts, 1919-1936" (1999), Cambridge: MIT Press
- Laforse, Martin, "Popular Culture and American Life: Selected Topics in the Study of American Popular Culture" (1981), Chicago: Nelson-Hall
- Lev,Peter, "The Euro-American Cinema" (1993), Austin: University of Texas Press
- Maltby, Richard, "’Nobody Knows Everything’: Post-Classical Historiographies and Consolidated Entertainment, In Contemporary Hollywood Cinema" (1998), London: Routledge
- Moore,Sonia, "The Stanislavski System:The Professional Training of an Actor" (1984), New York: Penguin
- Orvell, Miles, "Understanding Disneyland: American Mass Culture and the European Gaze", Cultural Transmissions and Receptions
- Ostendorf, Berndt, "Ralph Waldo Ellison: Anthropology, Modernism, and Jazz, In New Essays on Invisible Man" (1988), New York: Cambridge University Press
- Read, William, "America’s Mass Media Merchants" (1976), Baltimore: Johns Hopkins University Press
- Shickel, Richard, "Intimate Strangers: The Culture of Celebrity in America" (2000), Chicago: Ivan Dee
- Sterngold, James, "Tokyo’s Magic Kingdom Outshines Its Role Model", New York Times (1994)
- Studlar, Gaylyn, "“Introduction: The Seductive Waters of James Cameron’s Film Phenomenon”; Justin Wyatt and Katherine Vlesmas, “The Drama of Recoupment: On the Mass Negotiation of Titanic,” in Titanic: Anatomy of a Blockbuster" (1999), New Brunswick, N.J.: Rutgers University Press
- Twitchell, James, "Lead Us into Temptation: The Triumph of American Materialism" (1999), New York: Columbia University Press