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장르 관습의 차용과 “인종 향상” 이념의 한계: 콜슨 화이트헤드의 직관주의자

Genre Fiction and a Critique of “Racial Uplift” in Colson Whitehead’s The Intuitionist

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Colson Whitehead skillfully appropriates the generic conventions of detective fiction in his work The Intuitionist (1999). The narrative revolves around the protagonist’s investigation of a conspiracy behind the catastrophic elevator incident in a high-rise building. However, in a deliberate departure from conventional norms, Whitehead disrupts readers’ expectations about the typical crime-solving trajectory, indicating the fictionality inherent in storytelling and a fictive construction of reality through narrative. Far from being a mere exercise in aesthetics, the author’s experiment with the genre serves as a tool for a serious critique of the black history in the United States. Employing the elevator as a symbolic representation of the desire for upward mobility, Whitehead criticizes the ideology of racial uplift found in the African American community. The novel rejects the elitist notion that individual success achieved through self-help and higher education would uplift the entire black race.

Abstract

Colson Whitehead skillfully appropriates the generic conventions of detective fiction in his work The Intuitionist (1999). The narrative revolves around the protagonist’s investigation of a conspiracy behind the catastrophic elevator incident in a high-rise building. However, in a deliberate departure from conventional norms, Whitehead disrupts readers’ expectations about the typical crime-solving trajectory, indicating the fictionality inherent in storytelling and a fictive construction of reality through narrative. Far from being a mere exercise in aesthetics, the author’s experiment with the genre serves as a tool for a serious critique of the black history in the United States. Employing the elevator as a symbolic representation of the desire for upward mobility, Whitehead criticizes the ideology of racial uplift found in the African American community. The novel rejects the elitist notion that individual success achieved through self-help and higher education would uplift the entire black race.

참고문헌 (22)

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  6. Hock, Stephen, "The Poetics of Genre in the Contemporary Novel", pp.57~71 (2016), Lexington Books
  7. Jameson, Fredric, "Postmodernism or, the Cultural Logic of Late Capitalism" (1991), Duke UP
  8. Lavender, Isiah, "Ethnoscapes : Environment and Language in Ishmael Reed’s Mumbo Jumbo, Colson Whitehead’s The Intuitionist, and Samuel R. Delany’s Babel-17", Science Fiction Studies, 34(2), pp.187~200 (2007)
  9. Liggins, Saundra, "The Urban Gothic Vision of Colson Whitehead’s The Intuitionist(1999)", African American Review, 40(2), pp.359~369 (2006)
  10. Manshel, Alexander, "Colson Whitehead’s History of the United States", MELUS, 45(4), pp.22~45 (2020)
  11. Maus, Derek, "Understanding Colson Whitehead" (2014), U of South Carolina P
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  13. "Literary Fiction and the Genres of Genre Fiction" (2018)[URL]
  14. Russell, Alison, "Recalibrating the Past : Colson Whitehead’s The Intuitionist", Critique, 49(1), pp.46~60 (2007)
  15. Saldívar, Ramón, "The Second Elevation of the Novel : Race, Form, and the Postrace Aesthetic in Contemporary Narrative", Narrative, 21(1), pp.1~18 (2013)
  16. Selzer, Linda, "Instruments More Perfect than Bodies : Romancing Uplift in Colson Whitehead’s The Intuitionist", African American Review, 43(4), pp.681~698 (2009)
  17. Tucker, Jeffrey Allen, "‘Verticality Is Such a Risky Enterprise’ : The Literary and Paraliterary Antecedents of Colson Whitehead’s The Intuitionist", Novel, 43(1), pp.148~156 (2010)
  18. Waugh, Patricia, "Metafiction : The Theory and Practice of Self-Conscious Fiction" (1984), Routledge
  19. Wixon, Christopher, "Vertical Bearings : Dashiell Hammett’s The Maltese Falcon and Colson Whitehead’s The Intuitionist", Notes on Contemporary Literature, 42(3), pp.6~8 (2012)
  20. Whitehead, Colson, "The Intuitionist" (1999), Anchor Books
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  22. "What to Write Next" (2009)[URL]

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