晦峯 河謙鎭의 「和陶詩」와 東坡 蘇軾의 「和陶詩」 比較硏究

Abstract

Hoi-bong and Dong-po had an encounter through a poetic format called “Hwado poetry” over a distance of hundreds of years between them. They felt sympathy for the moral integrity, noble character, and reclusive life of Tao Yenming and wrote “Hwado poetry.” Hoi-bong, in particular, was also devoted to Dong-po considerably, which was one of the driving forces behind his creation of Hwado poetry. Overcoming the wide distance of time and meeting through “Hwado poetry,” they had worries and conflicts with their respective periods and realities and reflected their inner agonies in their poems without addition and deduction. “Hwado poetry” was the product of their spiritual agonies and also a type of mental exit to resolve their worries and conflicts in reality. Hoi-bong sympathized with Dong-po through “Hwado poetry,” exhibiting similar or different opinions from him and transcending time and space. His Hwado poetry comparable to that of Dong-po is an important collection of materials to extend the scope of Korean Chinese literature to post-Liberation years and further solidifies the scope of modern Chinese literature.