고려시대 漢詩에 나타난 敎坊歌舞 연구

Abstract

This study is based on the drought of Gyobang music and dance, which was expressed in Hanxi during the Goryeo Dynasty. During the Goryeo Dynasty, Gyobang was established due to the need for official ceremonies and connections between the royal court and the local area. The Goryeo Dynasty was frequently associated with national ceremonies such as Yeondeunghoe, Palgwanhoe, and Narye, as well as private events of the Four Godfathers. In this connection, the dance and song played by the gisaengs along with the music performance is “Kyobang music and dance.” The main audience of Gyobangamu was those of the aristocracy of the king and Goryeo. The great writers naturally wrote, shared, and recorded poems based on the gyobang dance provided in the incense burner. Unlike the Joseon Dynasty, it is difficult to understand the sense of the performance because the Uigwe and recordings recorded by the Goryeo Dynasty have not been passed down. However, the "Hansi" data is highly valuable in that it is a medium that records and conveys the performance culture of the Goryeo Dynasty. Writers who created a poem based on the choreography of the Goryeo Dynasty include Choi Ja, Lee Soo, Lee Gyu-Bo, Lee Saek, Min Sa-Pyeong, and Jeong Eul-Bo. None of the Goryeo Dynasty's one-time studies focused on the choreography of Kyobang. The Chinese poems of the four great writers depict the details of Gyobang dance, Gyobangak, and the costumes and props of drought. Therefore, the purpose of the study is to shed light on the site of the incense expressed in the poem and the characteristics of the kyobang music and dance.