파국의 현상학 : 1980년대 후반 중국소설에 나타난 ‘인간의 죽음’ 팡팡(方方), 「풍경(風景)」, 츠리(池莉), 「번뇌인생(烦恼人生)」, 류전윈, 「단위(單位)」등 신사실주의 소설을 중심으로
Phenomenology of crisis : ‘Human’s death’ in contemporary Chinese stories in late 1980’s - FangFang(方方)’s <Landscape(风景)>, ChiLi(池莉)’s <Life in anguish(烦恼人生)> and LiuZhenYun(刘震云)’s <Unit(单位)>
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This study analyze the contemporary Chinese stories in late 1980’s throughout a concept ‘Human’s death’. The phenomenon of ‘Human’s death’ have been much generalized in Europe since nineteenth Century. Also it had an effect Shanghai(上海) in 1930’s and the contemporary Chinese literary world after Cultural Revolution. Especialy, ‘New-realism(新写实主义)’ is one of the literary trend often express decadence and nihilism in their stories. The characters in them,constantly show their frustrated and pessimistic emotion come from the irrational social structure and financial incompetent. This tendency results from expansion of the market economy and secular material civilization.
Abstract
This study analyze the contemporary Chinese stories in late 1980’s throughout a concept ‘Human’s death’. The phenomenon of ‘Human’s death’ have been much generalized in Europe since nineteenth Century. Also it had an effect Shanghai(上海) in 1930’s and the contemporary Chinese literary world after Cultural Revolution. Especialy, ‘New-realism(新写实主义)’ is one of the literary trend often express decadence and nihilism in their stories. The characters in them,constantly show their frustrated and pessimistic emotion come from the irrational social structure and financial incompetent. This tendency results from expansion of the market economy and secular material civilization.
참고문헌 (20)
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