莫言《檀香刑》中的暴力美学研究
Research the Aesthetics of Violence of Mo Yan “Sandalwood Punishment”
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
As the winner of the Nobel Prize for literature in 2012, Mo Yan is the most influential contemporary writer in China. Mo Yan’s novels are good at describing the tumultuous scene of life, and among them, “violence” is the focus of his novels, and there are many violent details about China ancient torture described in his novel “Sandalwood Punishment”. Mo Yan regards the violence as the main body of appreciation and aesthetic target. His novels give a detailed portrait and esthetics color of violence and it embodies the unique Violence Aesthetics of Mo Yan. This thesis will use the concept of violence aesthetics came from Western Filmology to analyze and interpret the violence and torture of Mo Yan’s “Sandalwood Punishment”. The article will probe the occurrence of Aesthetics of violence, and explore the form of violence aesthetics of Mo Yan’s “Sandalwood Punishment” through two angles: the implementation process and the use of sensory vocabulary. Making the names of torture more elegant, the penalty tools more delicate and the process of torture more like a performance; analyzing the feast of ears and the revelry of color, for example. Hoping to reveal the unique connotation of violence aesthetics of Mo Yan’s “Sandalwood Punishment” and explore the deep essence of social, historical, cultural, Chinese humanity of violence aesthetics in the novel.
Abstract
As the winner of the Nobel Prize for literature in 2012, Mo Yan is the most influential contemporary writer in China. Mo Yan’s novels are good at describing the tumultuous scene of life, and among them, “violence” is the focus of his novels, and there are many violent details about China ancient torture described in his novel “Sandalwood Punishment”. Mo Yan regards the violence as the main body of appreciation and aesthetic target. His novels give a detailed portrait and esthetics color of violence and it embodies the unique Violence Aesthetics of Mo Yan. This thesis will use the concept of violence aesthetics came from Western Filmology to analyze and interpret the violence and torture of Mo Yan’s “Sandalwood Punishment”. The article will probe the occurrence of Aesthetics of violence, and explore the form of violence aesthetics of Mo Yan’s “Sandalwood Punishment” through two angles: the implementation process and the use of sensory vocabulary. Making the names of torture more elegant, the penalty tools more delicate and the process of torture more like a performance; analyzing the feast of ears and the revelry of color, for example. Hoping to reveal the unique connotation of violence aesthetics of Mo Yan’s “Sandalwood Punishment” and explore the deep essence of social, historical, cultural, Chinese humanity of violence aesthetics in the novel.
참고문헌 (30)
- 陈晓明, "“动刀”：当代小说叙事的暴力美学", 社会科学, (5) (2010), 上海社会科学院
- 董外平, "莫言的暴力观念及其文学呈现", 中国文学研究, (2) (2015), 湖南师范大学
- 郭小东, "看穿莫言" (2012), 武汉大学出版社
- 郝建, "”暴力美学”的形式感营造及其心理机制和社会认识", 北京电影学院学报, (4) (2005), 北京电影学院
- 郝建, "美学的暴力与暴力美学——爱森斯坦的杂耍蒙太奇新论", 当代电影, (5) (2002), 中国电影艺术研究中心
- 胡韧奋, "从<变脸>看大众文化视野下电影暴力美学的深层含义", 电影文学, (4) (2010), 长春电影集团出版公司
- 黑格尔, "美学 第一卷" (1996), 商务印书馆
- 李启军, "“暴力美学”之辩证观", 哲学动态, (11) (2012), 中国社会科学院哲学所
- 李莉, "“酷刑”与审美——论莫言<檀香刑>的美学风格", 山东社会科学, (4) (2004), 山东省社会科学界联合会
- 李春红, "论吴宇森电影的暴力美学", 석사, pp.2005
- 龙胜燕, "极刑与虚无——论<檀香刑>的主体缺位", 安徽文学, (9) (2011), 安徽省文学艺术界联合会
- 鲁迅, "鲁迅全集 第1卷" (1980), 人民文学出版社
- 莫言, "檀香刑" (2010), 长江文艺出版社
- 莫言, "檀香刑ㆍ后记" (2001), 作家出版社
- 莫言, "小说的气味" (2003), 春风文艺出版社
- 莫言, "捍卫长篇小说的尊严", 当代作家评论, (1) (2006), 辽宁省作家协会
- 马林芳, "色彩词的艺术功能", 南通师范学院学报, (3) (1996), 南通师范学院
- 孙玉荣, "论<檀香刑>的血腥暴力写作", 聊城大学学报, (2) (2008), 聊城大学
- 吴秀明, "中国当代文学史写真" (2003), 浙江大学出版社
- 王朝闻, "美学概论" (1981), 人民出版社
- 徐怀中, "有追求才有特色——关于<透明的红萝卜>的对话", 中国作家, (2) (1985), 中国作家出版集团
- 徐文明, "死亡的风景——余华、莫言暴力叙述现象研究", 석사, pp.2008
- 尹洪, "试论“暴力美学”及其特征", 昌航空大学学报, 10(2) (2008), 南昌航空大学
- 余杰, "在语言暴力的乌托邦中迷失——从莫言<檀香刑>看中国当代文学的缺失", 社会科学论坛, (3) (2004), 河北省社会科学界联合会
- 周建华, "从必然走向自由：论莫言小说暴力叙事心理图式", 海南师范大学学报, 26(11) (2013), 海南师范大学
- 周罡, "发现故乡与表现自我——莫言访谈录", 小说评论, (6) (2002), 陕西省作家协会
- 朱大可, "后寻根：乡村叙事中的暴力美学", 南方文坛, (6) (2002), 广西文学艺术界联合会
- 张春红, "卑污的人性展览——论<檀香刑>的刑罚世界", 安徽文学, (10) (2008), 安徽省文学艺术界联合会
- 张蜀津, "论“暴力美学”的本质与美学意味", 当代电影, (10) (2010), 中国电影艺术研究中心
- 张坤, "当代文学作品中的暴力现象探析——在当代审美文化的理论视域中探索“暴力”", 阴山学刊, 21(1) (2008), 包头师范学院