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天使和妖妇:东方古典小说男权视角下的女性形象 - 以《三国演义》和《壬辰录》为例

Oriental Heroes: The Imagery of Scholar Generals in Chinese and Korean Classical Novels, focusing on Romance of the Three Kingdoms and Imjin nok, or Record of the Black Dragon Year

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초록

Chinese and Korean classical novel <the Three Kingdoms> and <Imjin rok> female image showing a strange phenomenon, that is, whether their identity, status the shows angel and demon two kinds of extreme image. Women do not have their own personality, emotion and choice, and have no right to say. This essentially is a male dominated society dualistic of the image of women. That is who is consistent with the male aesthetic is an angel, and male aesthetic phase violation is the devil. Women's marriage is the tool of men playing politics, even the female's life are men's accessories, once what historical upheavals, men can all evade responsibility for women, let them for their commitment to the eternal charges.

Abstract

Chinese and Korean classical novel <the Three Kingdoms> and <Imjin rok> female image showing a strange phenomenon, that is, whether their identity, status the shows angel and demon two kinds of extreme image. Women do not have their own personality, emotion and choice, and have no right to say. This essentially is a male dominated society dualistic of the image of women. That is who is consistent with the male aesthetic is an angel, and male aesthetic phase violation is the devil. Women's marriage is the tool of men playing politics, even the female's life are men's accessories, once what historical upheavals, men can all evade responsibility for women, let them for their commitment to the eternal charges.

참고문헌 (19)

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  18. 张俊基, "朝鲜后期战争小说研究", 박사, pp.2003
  19. 柳晓萌, "从女性形象读解《三国演义》的男权话语", 安徽文学, (2) (2009)

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