姜恩喬와 舒의 抒情詩 比較試論
A Comparative Essay on Lyric Poetry of Eun kyo Kang and Shu-Ting
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Both Eun kyo Kang(姜恩喬) and Shu-Ting(舒婷) are representative poetesses in Korea and China, respectively. Eun kyo Kang is referred as ‘nihilist’ while Shu-Ting is noted ‘visionary’. Ms.Kang developed her poetical imagination from ecology-oriented and ontological futility, planting her deep meditation for the value of darkness and freedom in the public. Using comprehensively the shamanic rhythms combined with traditional epic and symbolized words, she embodied her unique style and that is the sensation and momentum of her pieces. Undoubtedly, Shu-Ting is the only model among the visionary poets. However, the words of Shu-Ting’s poetry are not dim at all yet clear and there is nobody who would think that it is hard to understand the messages her poems imply. The end of Cultural Revolution allowed her to speculate on the period anew offering the hope for bright future and a sense of duty as well. For certain, it is not easy to find a deep thought of recognition to history, society, and the time in her works, but nonetheless, they have experiences that others may not perceive, special tenderness, and the sympathy she gained from community as well as nature. There are allegory and metaphor in both of their poetry. They have built their own periodic cord in their works. Though ‘Feminine’ description can be found in their works at times, it is also another expression of the era. Thus, this paper analyzes the backgrounds of both poetesses, narration of ‘age’ and ‘woman’, and finally the meaning of ‘nihilism’ and ‘visionary’ created and settled by their versification.
Abstract
Both Eun kyo Kang(姜恩喬) and Shu-Ting(舒婷) are representative poetesses in Korea and China, respectively. Eun kyo Kang is referred as ‘nihilist’ while Shu-Ting is noted ‘visionary’. Ms.Kang developed her poetical imagination from ecology-oriented and ontological futility, planting her deep meditation for the value of darkness and freedom in the public. Using comprehensively the shamanic rhythms combined with traditional epic and symbolized words, she embodied her unique style and that is the sensation and momentum of her pieces. Undoubtedly, Shu-Ting is the only model among the visionary poets. However, the words of Shu-Ting’s poetry are not dim at all yet clear and there is nobody who would think that it is hard to understand the messages her poems imply. The end of Cultural Revolution allowed her to speculate on the period anew offering the hope for bright future and a sense of duty as well. For certain, it is not easy to find a deep thought of recognition to history, society, and the time in her works, but nonetheless, they have experiences that others may not perceive, special tenderness, and the sympathy she gained from community as well as nature. There are allegory and metaphor in both of their poetry. They have built their own periodic cord in their works. Though ‘Feminine’ description can be found in their works at times, it is also another expression of the era. Thus, this paper analyzes the backgrounds of both poetesses, narration of ‘age’ and ‘woman’, and finally the meaning of ‘nihilism’ and ‘visionary’ created and settled by their versification.
참고문헌 (13)
- 姜恩喬, "허무집" (2006), 서정시학
- 姜恩喬, "빈자일기" (1996), 문학동네
- 閔泳炫, "한국인의 삶과 한국학" (2006), 신지서원
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- 張允翼, "열린문학과 닫힌문학" (1992), 인문당
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- 芒 克, "?! 這些人" (2003), 時代文藝出版社
- 常 立, "中國新詩" (2002), 上海人民美術出版社
- 常文昌, "中國新時期詩歌硏究資料" (2006), 山東文藝出版社
- 林建法, "中國當代作家面面觀 上·下" (2006), 春風文藝出版社
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