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中国电影《九层妖塔》与 韩国电影《汉江怪物》的 ‘怪兽片’叙事比较 - 以好莱坞 fantasy 叙事为基础的借鉴与创新

Comparative Analysis of the Two Movies, “Chronicles of the Ghostly Tribe” and “The Host”: Referring Hollywood Fantasy Narrative and Re - creation

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Creature movie, a well positioned genre in movie, has been loved by moviegoers worldwide. This genre, which belongs to fantasy category, is a unique brain child of commercial movie production in Hollywood. Recently as their movie industry has been booming Korea and China has been challenging this genre which needs a high level of technology, capital and production management. Korean movie "The Host" and Chinese movie "Chronicles of the Ghostly Tribe" are the two most representative examples. This essay tries to explain how these blockbuster movies were created in two countries by looking at the industrial background, and also analyze narrative structure of these movies by resorting to narratological and semiological method. It postulates the followings by analyzing and comparing major spaces, symbols, and cultural codes appearing in two movies. "The Host" made a successful local application of the classic Hollywood narrative formula. Opposed to that, "Chronicles of the Ghostly Tribe" was focusing too much on explaining the structure between reality and surreal, becoming a naive narrative as the heroic characters were disappearing. This essay is provided as a reference with a purpose to facilitate international, commercial, and cultural engagement between two nations even when it points out the difference in degree of quality perfection of two movies.

Abstract

Creature movie, a well positioned genre in movie, has been loved by moviegoers worldwide. This genre, which belongs to fantasy category, is a unique brain child of commercial movie production in Hollywood. Recently as their movie industry has been booming Korea and China has been challenging this genre which needs a high level of technology, capital and production management. Korean movie "The Host" and Chinese movie "Chronicles of the Ghostly Tribe" are the two most representative examples. This essay tries to explain how these blockbuster movies were created in two countries by looking at the industrial background, and also analyze narrative structure of these movies by resorting to narratological and semiological method. It postulates the followings by analyzing and comparing major spaces, symbols, and cultural codes appearing in two movies. "The Host" made a successful local application of the classic Hollywood narrative formula. Opposed to that, "Chronicles of the Ghostly Tribe" was focusing too much on explaining the structure between reality and surreal, becoming a naive narrative as the heroic characters were disappearing. This essay is provided as a reference with a purpose to facilitate international, commercial, and cultural engagement between two nations even when it points out the difference in degree of quality perfection of two movies.

참고문헌 (10)

  1. David Bordwell, "电影叙事" (1999), 源流出版公司
  2. Bordwell, David, "The Classical Hollywood Cinema: Film Style and Mode of Production to 1960" (1985), ColumbiaUniversityPress
  3. 陈旭光, "存在与发言" (2015), 北京大戏出版社
  4. 김수남, "한국영화문화의 사유와 쟁점" (2009), 월인
  5. 朴有禧, "서사의 숲에서 한국영화를 바라보다 The Rhetoric of Korean Film" (2008), 다빈치
  6. 洪潇楠, "华语恐怖电影研究", 석사, pp.2014
  7. 刘胜眉, "作为第二世界的江湖:解剖中国武侠电影的幻想层面", 석사, pp.2015
  8. 钟大丰, "从“自外”到“融入”:面对全球化浪潮的亚洲电影", 电影艺术 (2006)
  9. "跨文化制作与中国电影暨海外传播", 大型学术研讨会 (2015)
  10. 崔辰, "生态幻境VS中式夺宝——对比<九层妖塔>与<寻龙诀>的类型气质以及视觉效果表现", 当代电影, (2) (2016)

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